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RIN TIN TIN

THE LIFE AND THE LEGEND

New Yorker staff writer Orlean (My Kind of Place: Travel Stories from a Woman Who's Been Everywhere, 2004, etc.) follows the long and curious trail of the celebrity dog born on a World War I battlefield.

The author, who has written a cookbook for dogs (Throw Me a Bone, 2007) and about obsessiveness (The Orchid Thief, 1999), combines all her skills and passions in this astonishing story of Lee Duncan (1893–1960), a young American soldier and dog-lover who found the German shepherd puppy that became Rin Tin Tin (Rinty) in France, got the dog home and spent the rest of his life training and promoting Rinty, breeding other German shepherds and living with the belief of Rinty’s immortality. (Rinty XI now lives in Oklahoma.) Orlean—who belongs to the generation that remembers the cry “Yo ho, Rinty!” from the popular The Adventures of Rin-Tin-Tin, which premiered in 1954 and ran for 164 episodes—recalls that her grandfather kept on his desk a little Rinty figure. But the author is not interested only in the dog. She also provides the biography of Duncan, as well as Bert Leonard, writer and producer, and she includes interviews with Duncan’s daughter, the current keeper of the latest Rinty and scores of others. The author tells the story of silent films (where Rinty began his career), the transition to talkies and to color, the rise of television, the popularity of dog ownership in America (especially of German shepherds and collies—because of Lassie) and the evolving tastes of American youth. For years, Orlean chased Rinty—even to his grave in Paris—and by the end, began to question her sanity. Although occasionally excessive in its claims for the ultimate significance of it all, a terrific dog’s tale that will make readers sit up and beg for more.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4391-9013-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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