An enchanting, poignant reimagining of Beowulf.

Grendel's Mother

THE SAGA OF THE WYRD-WIFE

Morrison’s (The Literature of Waste, 2015, etc.) historical novel explores the legend of Beowulf.

On the shore of the land of the Scyldings arrives a baby found in a boat of foreign make, swaddled in salt-encrusted blankets, and accompanied only by a silver spoon, an illuminated book, and a piece of gold jewelry. The foundling is taken in by a local fisherman and his wife, who name her Brimhild. The young king, Hrothgar, sanctions the adoption, though the king’s mother is sure that the alien girl will bring only misfortune to the land. From a local “mere-woman” Brimhild learns the lore of the land and its magic. From a traveling Irish monk she learns of a religion that worships a pitiable, gentle god. Brimhild grows to adulthood, rising to a place of prominence among her new people: she becomes the wife of Hrothgar and oversees the construction of Heorot, an immense hall that becomes the pride of the Scyldings. She bears the king a son, Grendel, a sensitive child she raises secretly in the faith of Christ. Yet Brimhild sits at a crossroads between old ideas and new ones, and the truth of her origins threatens her placement at the head of her adopted tribe. Her betrayal and fall from grace give birth to a new set of stories, one in which she and her son are defamed for all time. Morrison writes in alliterative, lyric prose that evokes the Old English of her source text: “There she saw the soft seaweed, barnacled bed, of a marine monster. Leaving her work, approaching with caution, she listened for linnets along the lime lane.” An incredible world is spun out of blunt, staccato words: a world of customs and objects, of heroes and faiths, and, of course, of monsters. Morrison manages to update the medieval morality of the original poem while preserving its mournful sense of the old ways passing away.

An enchanting, poignant reimagining of Beowulf.

Pub Date: Sept. 25, 2015

ISBN: 978-1-78535-009-2

Page Count: 237

Publisher: Top Hat Books

Review Posted Online: Aug. 5, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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