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IN THE GARDEN OF STONE

Lyrical, haunting literary fiction.

It is 1924. Up in West Virginia’s coal country, in a town called War, young Emma awakens one morning to find her house buried in the debris of an overturned rail car.

Tekulve’s (Savage Pilgrims, 2009, etc.) debut novel examines love, family and place through an affecting multigenerational saga. Emma’s the daughter of a Sicilian immigrant and his American schoolteacher wife, a woman grown bitter. The lone girl in a houseful of brothers, all coal miners like her father, Emma helps her mother, a deeply religious Catholic convert, with the work demanded by the harsh, coal dust–covered world. Perhaps there is symbolism when Caleb Sypher uses a white handkerchief to clean Emma’s bloody feet after the derailment. There is certainly love and empathy and then a wedding a week later, after which Emma and Caleb retreat to his Virginia farm. Tekulve's descriptions of the hard, cold, dirty coal camp life, above and below ground, are masterful, and as the narrative moves to Virginia and Caleb is battered by the Great Depression, the author superbly draws struggling Caleb’s withdrawal into his perception of perfection: an ornate Italian garden set among the mountain’s hemlocks, blue laurels and rhododendrons. But Caleb is murdered by a tramp, and the narrative evolves to follow Dean, their son. Dean’s reluctantly taken to War while his shattered mother recovers, but Dean loves the mountain farm and treasures his mother. He returns to care for her and soon marries Sadie—think Ruby from Cold Mountain—a lonely girl who births him a daughter, Hannah. Tekulve’s great gift is to live in the hearts of her characters, whether it be Caleb, Emma, Dean, Sadie or the older Italian immigrant generation toiling in the mines.  

Lyrical, haunting literary fiction.

Pub Date: May 1, 2013

ISBN: 978-1-891885-21-1

Page Count: 250

Publisher: Hub City Press

Review Posted Online: Feb. 3, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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