by Susan Travers with Wendy Holden ‧ RELEASE DATE: June 14, 2001
Decked out like a history, with index and bibliography: a striking, romantic, personal narrative.
An extravagant tale of war and romance, with a decided emphasis on the latter.
Now in her 90s, Travers writes in an “I shall never forget” mode. With remarkable recall, she describes her cold English upbringing and portrays the tenor of society life in Cannes during the 1930s. In 1940 she changed her tennis whites for nurses’ khakis and joined the Free French—who, apparently, were free in lots of ways. She was soon chauffeuring officers in Eritrea along the road to Kub-Kub (a map is provided), but she managed to find the time for various randy encounters and assignations. The liaisons are presented as guileless romance, mind you, not actual sex. Under the nom de guerre of “La Miss,” Travers served as the driver for General Pierre Koenig—a dashing officer who soon became the love of her life. She was with him at Bir Hakeim when that North African outpost was besieged by Rommel; with her General in command, La Miss guided the historic breakout. Her description of the drive, negotiating between land mines and flying bullets, is the central and best part of her story, which really has less to do with military history than romance. She lived with lucky Pierre in domestic bliss during much of the war—but the joy faded with the arrival of the General’s wife. After the war, La Miss became an authentic member of the French Foreign Legion, married a fellow soldier, and raised a family. Now she’d like to tell her grandchildren “what a wicked grandmother they had.” It’s all a bit melodramatic, full of old-fashioned schoolgirl romance, but this is not “Barbara Cartland Goes to War”—for Cartland surely never received, as La Miss did, the Croix de Guerre and the Médaille Militaire.
Decked out like a history, with index and bibliography: a striking, romantic, personal narrative.Pub Date: June 14, 2001
ISBN: 0-7432-0001-2
Page Count: 304
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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