A sensitive, sober account of an interesting woman and her times, narrated with respect for the factual record and a minimum...
Fictionalized biography of painter Emily Carr by bestselling Vreeland (Girl in Hyacinth Blue, 1999; The Passion of Artemisia, 2002).
Carr (1871–1945) was perhaps the first Canadian woman artist to achieve international recognition, partly thanks to her studies abroad (in America, London, and Paris) and partly thanks to her association with the famed Group of Seven, a Toronto-based salon of painters who revolutionized Canadian art. In her third historical, Vreeland adds some invented characters and situations, but for the most part offers a faithful account of Carr’s career. Born in Victoria, British Columbia, she lost both of her parents early in life and was raised by her domineering elder sister Dede, who disapproved of Emily’s interest in painting and tried to prevent her from enrolling in art school. Because of an interest in Native American art that was unusual for her times, Carr lived for a while among the Squamish Indians of Vancouver Island, studying their crafts and rituals. There, she met Sophie Frank, a Squamish basket weaver who became both a friend and inspiration, as well as Claude Serreau, a French-Canadian fur trapper who was briefly Carr’s lover. The Indian themes that dominated her early work were not well received in Canada, so in 1910 Carr traveled to Paris to immerse herself in the new styles that were coming into vogue among modernists. In France, she befriended New Zealand painter Frances Hodgkins, with whom she spent a happy summer working in the countryside, but she found as little encouragement in Paris as she had in Vancouver. After a year, she returned to Canada and dedicated herself to painting the Native American villages, houses, and totem poles that were fast disappearing. Eventually, she mounted an exhibition at the National Gallery in Ottawa that established her as one of the leading artists of her day.
A sensitive, sober account of an interesting woman and her times, narrated with respect for the factual record and a minimum of heavy breathing.Pub Date: Jan. 19, 2004
ISBN: 0-670-03267-0
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a...
In the category of slam-bang, testosterone-laden, body-bag filling, hellzapoppin' potboilers, this is as good as it gets.
For those who may have wondered about the gene pool that helped produce master sniper Bob Lee Swagger, the author's demigod of a series hero (Time to Hunt, 1998, etc.), here's the tell-all prequel. Earl Swagger, valiant marine, Congressional Medal of Honor winner, is Bob Lee's demigod of a daddy. We also meet Bob Lee's brave and beautiful mama. It's the summer of 1946, and Hot Springs, Arkansas, is under the thumb of gangster Owney Maddox, who has a dream: he wants to refashion Hot Springs into an oasis of sin, a place where Meyer Lansky, Lucky Luciano, Bugsy Siegel, et al., will feel safe, comfortable, and cosseted. He’s halfway there. On the surface Special Prosecutor Fred C. Becker doesn't seem much of a deterrent, but Becker has a dream too: he wants to be Arkansas's youngest governor ever. Moreover, he has a plan: to bring Owney down by recruiting and training an elite task force that can strike hard, fast, and ruthlessly. Earl Swagger—who better?—is charged with the training. At first, things go right. The recruits are eager and motivated. Aided by the element of surprise, they deliver a series of blows that shake the Maddox realm to its Sodom-like foundations. But then Maddox, with the whole of New York gangsterdom to draw from, recruits his own elite force. The stage is set for blood-drenched confrontations, during which lots of bad men are killed, some good men are betrayed, and Earl performs exactly the way Bob Lee's progenitor should.
Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a minute to be taken seriously, but, all in all, a blast.Pub Date: July 3, 2000
ISBN: 0-684-86360-X
Page Count: 480
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
A superb romp.
Hollywood operators and creative washouts collide across five decades and two continents in a brilliant, madcap meditation on fate.
The sixth novel by Walter (The Financial Lives of the Poets, 2009, etc.) opens in April 1962 with the arrival of starlet Dee Moray in a flyspeck Italian resort town. Dee is supposed to be filming the Liz Taylor-Richard Burton costume epic Cleopatra, but her inconvenient pregnancy (by Burton) has prompted the studio to tuck her away. A smitten young man, Pasquale, runs the small hotel where she’s hidden, and he’s contemptuous of the studio lackey, Michael Deane, charged with keeping Dee out of sight. From there the story sprays out in multiple directions, shifting time and perspective to follow Deane’s evolution into a Robert Evans-style mogul; Dee’s hapless aging-punk son; an alcoholic World War II vet who settles into Pasquale’s hotel to peck away at a novel; and a young screenwriter eagerly pitching a dour movie about the Donner Party. Much of the pleasure of the novel comes from watching Walter ingeniously zip back and forth to connect these loose strands, but it largely succeeds on the comic energy of its prose and the liveliness of its characters. A theme that bubbles under the story is the variety of ways real life energizes great art—Walter intersperses excerpts from his characters’ plays, memoirs, film treatments and novels to show how their pasts inform their best work. Unlikely coincidences abound, but they feel less like plot contrivances than ways to serve a broader theme about how the unlikely, unplanned moments in our lives are the most meaningful ones. And simply put, Walter’s prose is a joy—funny, brash, witty and rich with ironic twists. He’s taken all of the tricks of the postmodern novel and scoured out the cynicism, making for a novel that's life-affirming but never saccharine.
A superb romp.Pub Date: June 12, 2012
ISBN: 978-0-06-192812-3
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
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