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STILL MISSING

AMELIA EARHART AND THE SEARCH FOR MODERN FEMINISM

A well-argued case that gives feminist substance to Amelia Earhart's firm place in the national pantheon. Ware (Modern American Women, 1989, etc.—not reviewed) contends that, in her roles as aviator, teacher, author, wife, and media personality, Earhart personified the ill-defined feminism of the 1920's and 30's. As she sketches the familiar Earhart saga- -illuminated by the two transatlantic flights that made her a national heroine—Ware places it firmly in the context of the era, when the organized struggle for women's equality had given way to what she calls ``liberal feminism,'' the celebration of individual achievement. In the nine years between Earhart's first transatlantic flight, in 1928 (on which she was a passenger, not the pilot), and her disappearance nine years later somewhere in the Pacific, Earhart often made the annual lists of the ten or fifty or one hundred most-achieving women, along with her friend Eleanor Roosevelt. What gave Earhart credibility wasn't only her courage and daring but her campaign to encourage women to step away from traditional pursuits and spread their wings. They could do what she'd done, literally or figuratively—so ran her message in speeches, newsreels, magazines, books, and a column for Cosmopolitan. Ware suggests that, as credible as Earhart's achievements were, she was also—thanks in great part to the marketing efforts of her husband—a forerunner of today's media personality; but the author's attempt to equate Earhart's boyish appeal with the mysterious sexuality of Garbo and Dietrich is unconvincing. What happened over the Pacific? No solutions are offered here, only a debunking of the rumor that Earhart's Pacific flight was really a spy mission—a notion, Ware says, that surfaced in the wake of a Rosalind Russell movie loosely inspired by the aviator's career. Strong in discussing Earhart as an advocate for women's equality, weaker in establishing her as an icon of popular culture. (Photographs—not seen)

Pub Date: Nov. 8, 1993

ISBN: 0-393-03551-4

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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