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A THREAD SO FINE

An engaging and poignant historical novel.

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The intense love shared by two sisters is challenged by crises in Welch’s debut novel, set in St. Paul, Minnesota, and Ithaca, New York, during the mid-20th century.

Shannon and Eliza Malone, born less than 11 months apart, were inseparable as children. The younger sibling, 17-year-old Eliza, is taller and more scholastically successful, and she has a social confidence that Shannon wishes she could emulate. Their mother, Nell, has always been more attentive to Eliza; meanwhile, Eliza “wished she could intervene and overwhelm Shannon with the security she craved but never got from the very same mother.” The girls have different dreams for their futures, but their devotion to each other is total. Then, in August 1946, Shannon contracts tuberculosis and is hospitalized for 10 months. Eliza begins seriously dating David Whitaker, a respectable young man, and in September, she enters her freshman year at a local college. One night, near the end of December, while the girls’ parents are at the hospital watching over Shannon, David’s war hero cousin, Patrick Whitaker, attacks Eliza and rapes her. She tells no one what happened, but the assault results in a pregnancy. Ashamed and traumatized, she still refuses to reveal the truth, even to Shannon. After the baby is born in October 1947, Eliza transfers to Cornell University, breaking off all contact with her family members. In skillful, straightforward prose, Welch sets her character-driven narrative against the backdrop of postwar societal changes. Along the way, she implicitly contrasts the more traditional St. Paul society with the nascent progressive movements in Ithaca. The addictive melodrama weaves a tale of secrets, misunderstandings, resentments, and squandered opportunities for reconciliation that keep the sisters apart for almost two decades. Shannon, the more creative of the two siblings, is a more fully drawn character than Eliza, and readers get to know her more intimately through her unmailed letters. A strangely ethereal epilogue offers a mostly satisfying conclusion, even if it leaves a few questions unanswered.

An engaging and poignant historical novel.

Pub Date: May 1, 2019

ISBN: 978-1-73384-850-3

Page Count: 360

Publisher: Faodail Publishing

Review Posted Online: Feb. 26, 2019

Kirkus Reviews Issue: April 15, 2019

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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