An engaging and poignant historical novel.

A THREAD SO FINE

The intense love shared by two sisters is challenged by crises in Welch’s debut novel, set in St. Paul, Minnesota, and Ithaca, New York, during the mid-20th century.

Shannon and Eliza Malone, born less than 11 months apart, were inseparable as children. The younger sibling, 17-year-old Eliza, is taller and more scholastically successful, and she has a social confidence that Shannon wishes she could emulate. Their mother, Nell, has always been more attentive to Eliza; meanwhile, Eliza “wished she could intervene and overwhelm Shannon with the security she craved but never got from the very same mother.” The girls have different dreams for their futures, but their devotion to each other is total. Then, in August 1946, Shannon contracts tuberculosis and is hospitalized for 10 months. Eliza begins seriously dating David Whitaker, a respectable young man, and in September, she enters her freshman year at a local college. One night, near the end of December, while the girls’ parents are at the hospital watching over Shannon, David’s war hero cousin, Patrick Whitaker, attacks Eliza and rapes her. She tells no one what happened, but the assault results in a pregnancy. Ashamed and traumatized, she still refuses to reveal the truth, even to Shannon. After the baby is born in October 1947, Eliza transfers to Cornell University, breaking off all contact with her family members. In skillful, straightforward prose, Welch sets her character-driven narrative against the backdrop of postwar societal changes. Along the way, she implicitly contrasts the more traditional St. Paul society with the nascent progressive movements in Ithaca. The addictive melodrama weaves a tale of secrets, misunderstandings, resentments, and squandered opportunities for reconciliation that keep the sisters apart for almost two decades. Shannon, the more creative of the two siblings, is a more fully drawn character than Eliza, and readers get to know her more intimately through her unmailed letters. A strangely ethereal epilogue offers a mostly satisfying conclusion, even if it leaves a few questions unanswered.

An engaging and poignant historical novel.

Pub Date: May 1, 2019

ISBN: 978-1-73384-850-3

Page Count: 360

Publisher: Faodail Publishing

Review Posted Online: Feb. 26, 2019

Kirkus Reviews Issue: April 15, 2019

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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