An irresistible, if one-dimensional, cocktail of salvation and sentiment.

ONE GOOD DOG

Wilson (Summer Harbor, 2003, etc.) goes straight for the emotional jugular with a tale of two battle-scarred survivors, one human, one canine, learning mutual need and trust.

Man and dog rehabilitate themselves and each other in his shrewdly engineered tale of twin catastrophes and redemption. Adam March’s fall from grace is self-made, the inevitable collapse of a Don Draper–esque life built on the rocky foundations of concealed origins. Destabilized by the thought that his estranged sister, last seen 40 years ago, has re-entered his high-powered, high-maintenance existence, Adam loses self-control and commits “a self-immolating act of breathtaking nihilism”—he slaps his personal assistant. Instantly he jeopardizes everything: marriage, job, wealth and social standing. Recast as a nobody, sentenced to community service in a homeless shelter while attending anger-management therapy, Adam must learn some humility. Chance is a pit bull mix born into brutality and bred to fight. Man and dog don’t exactly bond when Adam accidentally reprieves Chance from the pound (he was looking for the missing pet of a distraught homeless-shelter denizen), but over time their relationship warms up, encouraged by an attractive local pet-shop owner. A third-person account of Adam’s story alternates with Chance’s dog’s-eye perspective as each character touches bottom and is redeemed by his counterpart in the other species. The story closes in a rush of reconciliation, a sob or two, and wiser, happier humans and canines all round.

An irresistible, if one-dimensional, cocktail of salvation and sentiment.

Pub Date: March 1, 2010

ISBN: 978-0-312-57125-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Jan. 24, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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SUMMER SISTERS

The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.

Pub Date: May 8, 1998

ISBN: 0-385-32405-7

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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