A well-constructed romp through a seldom-studied microcosm of American history.
A spirited bildungsroman set in the late 1800s and woven from the history of debut author Wuorinen’s (Cully’s Gold, 2010, etc.) hometown.
Sadie Coggins is thrilled to have been accepted into a private high school far from her sleepy little home in Lamoine, Maine. Unfortunately, her father’s financial losses and her mother’s never-ending list of chores make leaving for school impossible. Aghast at the idea of staying home with bullies like her nemesis, Frank Smith, Sadie vows to save up money for school in any way she can. She’s happy to work at her uncle’s fishing camp, but when she’s offered the opportunity to profit from a dubious trade, she finds her morals at odds with her ambitions. She’s not the only Lamoine youngster yearning to leave home: Her best friend, Rosa May, shares her desire to attend high school, and Frank dreams of sailing away on his father’s ship. When a mean-spirited prank goes too far, however, all of their dreams are suddenly endangered. Meanwhile, Sadie finds her personal relationships in disarray as she drifts apart from Rosa, disappoints her father and develops a relationship with her tomboyish co-worker Nell, whose ideas about staying home are nowhere close to Sadie’s. Middle-grade historical fiction tropes abound: Headstrong protagonist Sadie, prissy good girl Rosa May and Sadie’s gruff but gentle father can feel a little too familiar to readers of Little House on the Prairie–style fiction, but Wuorinen offers enough backstory to allow the most important characters to feel fleshed out, if not fully authentic. The novel is deeply anchored in its setting; photographs of the Coggins family emphasize the fact that Sadie was a real person, and the dialogue captures the vernacular of the time. However, chapter headings detailing the times of sunrise and high tide lend a slightly gimmicky tone to an otherwise well-developed sense of place and time. As the conflict evolves into an upbeat yet satisfyingly complex conclusion, themes of feminism and delayed gratification arise but aren’t preached.
A well-constructed romp through a seldom-studied microcosm of American history.Pub Date: N/A
ISBN: 978-1938883361
Page Count: 196
Publisher: Maine Authors Publishing
Review Posted Online: Aug. 12, 2013
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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