Smartly done, at times deeply felt.
Editor Bright asks three writers to face a life-changing sexual event.
Most skilled here is William Harrison (the magnetic Mountains of the Moon, the magnificent The Blood Latitudes), who often writes about Africa when not presenting a futuristic action fantasy like The Roller Ball Murders. In “Shadow of a Man,” set in South Africa the year before Mandela’s release, Texan photographer Cal Vega is invited to Johannesburg to photograph an elderly retired general; his daughter wants the picture. Cal is a philosopher of the camera and has intriguing if cynical views about his art. Ellen, the general’s daughter, seduces Cal and takes him off to her beachfront home. Her sexual enjoyment turns on fantasy: she’s 15 and Cal is her 14-year-old brother, and so on. She takes him to a big party, mixed whites and blacks, and the real object of her seduction turns out to be that she wants many pictures of those at the party, because one is a mole. All turns tragic, and Cal’s thoughts focus on the shadow within, and on his stupid, stupid, stupid philosophy. Greg Boyd, relating “The Widow,” splits his page in half and on the top tells of “Karen Regent,” a widow who secretly writes a pornographic novel to make up for her nonorgasmic life, while on the bottom Boyd simultaneously tells her husband’s story after discovering and reading the book on the wife’s hard drive. In Karen’s novel, she goes off to France to recover from grief, discovers masturbation, and is seduced by a French photographer. In the sub-story, the shocked husband, not dead, tells of reading his wife Mandy’s tale and his rock-hard erection. Rawest of all, Tsaurah Litzky’s “The Motion of the Ocean” leaps from her brother’s bar mitzvah to 30 years later as the heroine more or less makes sense of her sex life while fitting photos into a fat new album. More sex in this one than in the other two combined.
Smartly done, at times deeply felt.Pub Date: July 6, 2004
ISBN: 0-7432-4549-0
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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