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OTHERWISE ENGAGED

A chronicle of a bride’s engagement ultimately becomes a kind of wedding favor. In all probability, people (women especially) like to recall the months preceding their weddings mainly because they—re so impressed that they survived them. Our unnamed narrator is a good example: She opens her story with her fiancÇ Michael’s proposal and closes it with her wedding, along the way providing a warmly excruciating account of every bump in the road linking the one to the other. A 36-year-old ad copywriter in San Francisco, the bride-to-be has known Michael for three years and lived with him for six months by the time he gets around to popping the question. He’s ten years her senior, a divorced marketing director with one daughter from his previous marriage. Naturally, both bride and groom are scared to death. She still suffers from the memory of her mother’s disastrous marriage to her father, a drunken Presbyterian preacher who eventually lost all his faith in God and most of it in himself. As for Michael, he still cries every time he hears his daughter refer to her stepfather as “Daddy.” On a less extreme level, there are the usual arguments and recriminations; the inevitable mother-in-law angst (—Ilene told me that women have to act like the man is smarter, even though he’s not, and they have to act like the man is stronger, even though he’s not.—); and the inevitable break-off that gets patched up in short order. Most of the trouble, though, is in the myriad trivial details that surround the significant change in the bride’s life. But her shrink Reuben helps talk her through everything, and all her friends pitch in with support until the big day arrives. And then, of course, she’s on her own—almost. Good-natured if unremarkable fun that veers dangerously close to the tear-jerking sentimentality Erma Bombeck made into a career. Not likely to be reread very long after the honeymoon. (First printing of 75,000)

Pub Date: May 12, 1999

ISBN: 0-375-40652-2

Page Count: 224

Publisher: Knopf

Review Posted Online: May 19, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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