An exciting, surprising story that leaves the reader hungry for the next book.
After a wealthy man of high reputation suffers a heart attack and dies, three women are left to grapple with the aftermath of his death and the twisted details of their past in this riveting fiction novel.
The story, a continuation of Jenkins’ Pam of Babylon (2011), sets out to explore the life and grief of the wife, the sister-in-law and the mistress of Jack, the deceased. From the beginning, the reader understands that all three women are aware of their positions in Jack's life and to each other. Jack's wife, Pam, knows that he was engaged in a long-term affair with her younger sister, Marie. What's more, the mistress, Sandra, is pregnant with his child. But surprisingly, these are not the most shocking twists that Jenkins lays out. Little do the three women know that there is more that ties them to Jack and to each other than meets the eye. As secrets unfold—some deceptive, some deadly—the women are left intimately bound by their past and by a future that can never break free from Jack. Jenkins writes with a fast-paced, scenic style, pushing the story forward and wasting little time on interior monologue or back story. Perhaps this is one of the best aspects of the novel—a page-turner, the story remains immediate, rarely breaking from forward motion. Jenkins develops characters not by describing them, but by placing them in conflict and context with new people, places and situations. What's more, the novel never fully resolves the conflicts it opens up, leaving room for the next book to explore the aftermath of the characters' secrets and decisions. The characters are sympathetic, round and believable; watching them grapple with difficult decisions creates an engaging, dynamic read.
An exciting, surprising story that leaves the reader hungry for the next book.Pub Date: Dec. 29, 2011
ISBN: 978-1466219007
Page Count: 338
Publisher: CreateSpace
Review Posted Online: Jan. 24, 2012
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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