A standout addition to the crowded archive of Austen homages.
An American librarian discovers a never-published Jane Austen manuscript.
Samantha has accompanied her cardiologist boyfriend, Stephen, to London. While he attends a medical conference, she explores the environs of Oxford University, where she had pursued a doctorate in English literature before abandoning her studies to care for her dying mother. While browsing in a musty bookstore, Sam comes across a volume of poetry which contains an unfinished letter that her practiced eye (she’s now a rare-books librarian) identifies as having been written by Jane Austen to her sister Cassandra. The letter mentions an early manuscript, circa 1802, which the then-unknown future authoress had mislaid at a Devonshire country house called Greenbriar. Anthony, a venture capitalist and the latest heir to Greenbriar, is happy to help locate the manuscript, particularly if its auction proceeds can save Greenbriar from creditors and fund his own startup. The manuscript, entitled The Stanhopes, is found in a secret compartment, and Sam and Anthony sit down to read the novel in its entirety, along with the reader. The Stanhopes is a very passable Jane Austen facsimile, with believable period locutions, much shorter sentences and more melodrama. (It would, after all, have been Jane’s first novel.) The plot details the fortunes of a village pastor, the Rev. Stanhope, whose wealthy patron casts him out of his parish, home and livelihood on a charge of gambling away church funds. When Stanhope is supplanted by the patron’s own nephew, the reverend’s clever, beautiful and musically gifted daughter, Rebecca, correctly smells a rat. Nevertheless, until his innocence can be proven, father and daughter must embark on an itinerary of exile during which they are reduced to relying on the at-times-dubious charity of close or distant relatives. This richly imagined Jane Austen “road novel” is such a page turner that the frame story, with its obvious but far less dramatic parallels to Rebecca and Stanhope’s plight, seems superfluous.
A standout addition to the crowded archive of Austen homages.Pub Date: Dec. 31, 2012
ISBN: 978-0-425-25336-6
Page Count: 432
Publisher: Berkley
Review Posted Online: Oct. 29, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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