Deserves front-runner status in the saturated field of Austen fan-fiction and film.
A worthy attempt to augment Jane Austen’s love life.
Austen’s short life is well documented by her surviving letters—except for the period 1809 through 1812, which preceded publication of her first novel, Sense and Sensibility. James re-imagines this time in the form of a “lost memoir” discovered in an attic chest, along with a gold-and-ruby ring. The “missing years” are emotionally and financially fraught for Jane. There’s her first marriage proposal, from boorish, stammering Harris, the son and heir to the Bigg-Wither country estate. She accepts, seeing a means of procuring her mother’s and sisters’ security, but reneges the next day. Upon her father’s death, Jane and the other distaff Austens must vacate their family home. The women, dependent on male relatives, now exist on the fringes of genteel respectability. While traveling with her brother Henry, Jane meets Frederick Ashford, son of a baronet and heir to a huge fortune, with a stately home to match. Jane and winsome 34-year-old Frederick share a love of literature, a proclivity for intellectual discourse and a sense of humor. Dare she hope that he finds her enthralling despite her limited wardrobe, relatively plain face and age verging on intractable spinsterhood—32? She dares. He’s called away suddenly, but the two meet again for a three-week idyll of diffident courtship. He’s on the verge of a declaration when meddlesome friends interrupt. Later, Jane learns, to her horror, that Frederick is engaged to a 17-year-old heiress, Isabella. Why did he allow Jane to cherish false hopes? She staunchly refuses his letters. Finally, Frederick confronts Jane at a London society party and reveals that his engagement was parentally dictated. There’s hope—Isabella wants out. Suspense builds, and it’s a tribute to the world James creates that readers will anxiously root for Jane to find true love and wealth even though we know it never happened.
Deserves front-runner status in the saturated field of Austen fan-fiction and film.Pub Date: Jan. 1, 2008
ISBN: 978-0-06-134142-7
Page Count: 352
Publisher: Avon A/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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