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SUBVERSION

Newcomer Alderson develops a complex plot with real skill, though his laconic style removes the juiciness of a true...

Tough-talking lawyer investigates the disappearance of millions from a corporate account—and finds out what happened to her missing father.

Rosalind Wilcox is general counsel to a Washington, D.C., financial group, but she’s not exactly a typical attorney. Her take-no-prisoners style has earned her the respect of her male colleagues and the awe of her boss, Marshall Waverly, a southern gentleman who confesses his favorite kink to Rosalind one boozy night: he wants to be dominated by her. She’s only too happy to crack the whip, thus doing pretty much as she pleases at Rigel Associates and finding life not too boring among the suits. And the pay is good: “Sure, people lived and died, loved, hated, sought the Great Spirit, climbed mountains, wrote novels, structured leasebacks under Delaware law, accepted Jesus as their personal Lord and Savior, held AK-47’s aloft in the name of Allah—but only one thing really mattered: capital flow.” That’s something Rosalind learned from her father when he disappeared after being indicted for his involvement in financial scams and shady deals. Before that, she and her four sisters had led a charmed life in sleepy Zanesville, Ohio, although tomboy Rosalind raised a lot of hell when no one was looking and still yearns secretly for Drew Gillespie, the working-class sex god who taught her how to handle a gun and, uh, other things. Rosalind’s investigation reveals that her family’s past is about to catch up with her: years back, a Rigel partner got the firm’s start-up capital from her father, and it’s possible that pére is mixed up in their latest project, a pipeline in Colombia to be financed by a group of investors that includes a Schwarzeneggeresque heavy named Van Zyk. Rosalind calls on Drew to help her out, but—practical as always—beds him before the shooting starts.

Newcomer Alderson develops a complex plot with real skill, though his laconic style removes the juiciness of a true thriller. And the heroine’s matter-of-fact amorality and cynicism fall flat.

Pub Date: March 6, 2001

ISBN: 0-7679-0657-8

Page Count: 304

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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