An absorbing but ultimately unsatisfying fictionalized biography of the true father of radio and inventor of fluorescent lighting, remote control, and robotics. Nikola Tesla was the ideal American immigrant: energetic, determined, and brilliant. After working briefly for Edison, he became the resident genius at Westinghouse, churning out patent after patent, inventing neon, radar, and possibly a death ray that may have been the early forerunner of the Strategic Defense Initiative (aka Star Wars). Wise's first novel both obscures and clarifies its subject. The author acknowledges his debt to Tesla's five biographers, but he could profitably have taken a little more liberty with the known facts. Wise tantalizingly dangles ideas about certain aspects of the inventor's personality—hinting that Tesla's lifelong celibacy may have been due to underlying homosexuality, for example—but never even theorizes about such crucial matters as his belief in the merits of sleep deprivation, his psychic and hypnotic abilities, and his efforts to communicate with extraterrestrials. These exotic practices resulted in the once celebrated and wealthy Tesla spending his last days hounded by the FBI, roosting in a seedy hotel with hundreds of pigeons. Wise's gifts as a novelist are many. He brings to life an assortment of characters, from Thomas Edison and George Westinghouse to Stanford White, J.P. Morgan, and Mark Twain. He captures Tesla's sharp hunger to succeed both as an artist of invention and as a member of New York City's social elite. What he doesn't capture are the psychological forces that drove this complex man. The perfect gift for a bright 12-year-old: a colorful, eventful life with most of the sex and all of the religious torment left out. Adults may want to look for a good biography instead. (First printing of 25,000)
Pub Date: July 1, 1994
ISBN: 1-878685-36-8
Page Count: 355
Publisher: Andrews McMeel Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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