Despite a few weak spots, an enticing first book that reveals plenty of potential.
A young, successful lawyer living in New York City discovers that his closest friend harbored secrets built on shame and love.
Peter and Simon became friends in grade school when they discovered themselves to be not just the only Asian students but also part of a very small crowd of non-Jewish children. Over the years they shared triumphs and setbacks, providing emotional and financial support to each other as needed. Peter never expected to be acting as executor of his friend’s estate, but when Simon dies from self-inflicted stab wounds, Peter is left to work out the details of the will and recover from the shock and grief as best he can. Part of the shock comes from meeting Simon’s girlfriend Catherine and their daughter Joanna for the first time at the funeral. A successful businessman, Simon left behind a journal detailing the pivotal moments of his life (graduation, falling in love, depression) and through reading it, Peter gains further understanding of his friend, much of which Peter was protected from. He also gains a clearer view of the malicious intrigues surrounding the Chaebol, an elite group of powerful South Korean immigrants who may have played a hand in Simon’s death. Kim nicely handles intricate, recurring themes and images, such as that of the pigeon Simon saved from his mother’s balcony. The author is also talented at portraying a rough side of the city—room salons where men can purchase the attentions of beautiful women—with respect and compassion. Kim’s characters are precisely written yet maintain enough of a spark of vitality to keep readers caring and concerned. The story occasionally slows to a sluggish pace, specifically during the 40-plus pages of journal extraction, and a few of the plot twists seem based more on narrative convenience than natural development. Flashbacks and tangents sometimes overpower the quieter thrust of the contemporary mystery.
Despite a few weak spots, an enticing first book that reveals plenty of potential.Pub Date: Oct. 1, 2010
ISBN: 978-0984435937
Page Count: 394
Publisher: N/A
Review Posted Online: Nov. 16, 2010
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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