Despite a few weak spots, an enticing first book that reveals plenty of potential.
A young, successful lawyer living in New York City discovers that his closest friend harbored secrets built on shame and love.
Peter and Simon became friends in grade school when they discovered themselves to be not just the only Asian students but also part of a very small crowd of non-Jewish children. Over the years they shared triumphs and setbacks, providing emotional and financial support to each other as needed. Peter never expected to be acting as executor of his friend’s estate, but when Simon dies from self-inflicted stab wounds, Peter is left to work out the details of the will and recover from the shock and grief as best he can. Part of the shock comes from meeting Simon’s girlfriend Catherine and their daughter Joanna for the first time at the funeral. A successful businessman, Simon left behind a journal detailing the pivotal moments of his life (graduation, falling in love, depression) and through reading it, Peter gains further understanding of his friend, much of which Peter was protected from. He also gains a clearer view of the malicious intrigues surrounding the Chaebol, an elite group of powerful South Korean immigrants who may have played a hand in Simon’s death. Kim nicely handles intricate, recurring themes and images, such as that of the pigeon Simon saved from his mother’s balcony. The author is also talented at portraying a rough side of the city—room salons where men can purchase the attentions of beautiful women—with respect and compassion. Kim’s characters are precisely written yet maintain enough of a spark of vitality to keep readers caring and concerned. The story occasionally slows to a sluggish pace, specifically during the 40-plus pages of journal extraction, and a few of the plot twists seem based more on narrative convenience than natural development. Flashbacks and tangents sometimes overpower the quieter thrust of the contemporary mystery.
Despite a few weak spots, an enticing first book that reveals plenty of potential.Pub Date: Oct. 1, 2010
ISBN: 978-0984435937
Page Count: 394
Publisher: N/A
Review Posted Online: Nov. 16, 2010
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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