Panoramic in its sense of history, intensely personal in its sense of drama—a wonderfully sad yet joyous read.
This remarkably moving and assured debut, the first in a planned trilogy, tells the story of Bangladesh’s 1971 war for independence through the eyes of a widow who will do anything to ensure her children’s survival.
The widow Rehana has remade her life more than once. With her once wealthy Muslim family, she was forced to leave Calcutta for Karachi during Partition; after an arranged marriage she moved to Dhaka with her husband; when her husband died, she temporarily lost her children to her wealthy brother-in-law back in Karachi, until she found the financial means—how and where is her shameful secret—to bring them back a year later. Ten years later, Rehana lives contentedly with her son Sohail and daughter Maya, both politically active students at the local university. Then civil war breaks out and her children sweep Rehana into political events. Sohail, who has always been a pacifist, joins the resistance fighters. Maya, whose best friend has been raped and murdered by the Pakistanis, becomes a resistance spokeswoman. Anam keeps Rehana grounded in a daily routine—there are evocative scenes of cooking, of sewing blankets out of saris, of going to market—that brings Bangladesh to life amid the chaos and carnage of the war. Soon Rehana is hiding not only supplies and armaments on her property, but also a wounded resistance officer. At first she resents him for his role in endangering her son’s life, but growing to love him, as years earlier she grew to love her husband, she confides the secret theft that gave her financial survival and her guilt at losing her children even temporarily. Ultimately, she must make a final horrendous sacrifice to keep them safe again. Rehana is a memorable literary achievement, exemplifying motherhood in all its complexity and intensity. That her relationships with her children are difficult, often prickly, only makes her maternal passion that much more believable and heartrending.
Panoramic in its sense of history, intensely personal in its sense of drama—a wonderfully sad yet joyous read.Pub Date: Jan. 8, 2008
ISBN: 978-0-06-147874-1
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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