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CLOUD OF SPARROWS

In this case, enough said.

Some rootin’-tootin’ shoot-’em-up and slice-’em-up for those who thought the US-Japanese trade deficit was bad.

Missionaries arrive in Japan to spread Christ’s message. The time is just between the New Years—after the outsiders’ celebration and before the real New Year. A prophecy says that an outsider will save Lord Genji’s life after the New Year: but which New Year is meant? We seem to have Lord of the Rings (with the West as the economic orcs) mixed with Days of our Lives and The King and I, with a bow to Shogun to avoid accusations of plagiarism. Characters include the naive missionary Emily (“We bring nothing with us but the word of Christ. Why would anyone wish us harm?”), who may be doomed to fall for Lord Genji; the super-ninja-assassin Shigeru (“Slashing with the katana in his right hand and stabbing with the tanto in his left, Shigeru killed or mortally wounded everyone who opposed him”); the accidental gunslinger Stark, who repeatedly reminds us that a .44 bullet in the back of the neck can take a man’s head clean off; and Heiko, who is either the hottest geisha on this slope of Mt. Fuji or a spy—or both. The stakes are high: It will be war at the hands of outsiders or war among the samurai clans, and 2,000 years of civilization is on the line. Unfortunately, battle sequences are written more for ambitious cinematographers than for readers, and, really, Matsuoka doesn’t have the weapons to handle the morass he’s created: here, we’re treated to pedestrian wisdom (“It was truly a terrible thing to be in love”); nonwriting (“Above, the winter stars moved across the sky in their set orbits”); and inconsistencies—such as this one, regarding a land that’s supposed to have been secluded for several hundred years: “We have always been easy prey for foreign fads.”

In this case, enough said.

Pub Date: Oct. 1, 2002

ISBN: 0-385-33640-3

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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