A refreshingly nuanced narrative about gender in the Middle East.

A GIRL LIKE THAT

When Zarin Wadia dies in a car crash with a boy named Porus, no one in her South Asian community in Jeddah is surprised—what else would you expect from a girl like that?

Originally from Mumbai, half-Parsi, half-Hindu Zarin moved in with her aunt and uncle after her mother died. The family relocated to Jeddah, Saudi Arabia, to escape rumors about Zarin’s mother’s death, plunging her into a world of abuse and gender-based restrictions against which she rebelled. It was only after Porus, a Parsi friend from Mumbai, moved to Jeddah for work that Zarin began to reconsider her behavior—and her capacity for love. Featuring a diverse cast of Arab and South Asian characters of various classes and faiths, the story is a gripping and nuanced portrait of how teens, both boys and girls, react to patriarchy (the novel contains graphic descriptions of abuse and sexual assault). Bhathena’s prose can be stilted, and her excessive use of multiple voices limits both character development and the resolution of some storylines. In addition, the beginning and ending chapters narrated by Zarin’s ghost feel disjointed from the otherwise searingly realistic narrative. All in all, though, the book is a fast-paced, fascinating read about a community rarely seen in young adult novels in the West.

A refreshingly nuanced narrative about gender in the Middle East. (Romance. 16-adult)

Pub Date: Feb. 27, 2018

ISBN: 978-0-374-30544-4

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 20, 2018

Kirkus Reviews Issue: March 1, 2018

Did you like this book?

An atmospheric and creepy page-turner.

I KILLED ZOE SPANOS

Seventeen-year-old Anna Cicconi finds herself in the middle of a mystery when she takes a summer nanny job in the swanky Hamptons enclave of Herron Hills.

Frick begins her story at the end. Well, sort of. August in the Hamptons signals the turning of the leaves and sees the grisly discovery of 19-year-old Zoe Spanos’ body. Zoe disappeared on New Year’s Eve, and Anna, who happens to strongly resemble her, has confessed to her murder. However, Martina Green, who runs the podcast Missing Zoe, doesn’t believe Anna did it and attempts to find out what really happened. Flash back to June: Hard-partying recent high school grad Anna sees her new job caring for Tom and Emilia Bellamy’s 8-year-old daughter as a fresh start. As one sun-drenched day melts into the next, Anna is drawn to Windemere, the neighboring Talbots’ looming, Gothic-style home, and to the brooding, mysterious Caden Talbot. But Anna can’t shake a feeling of déjà vu, and she’s having impossible memories that intertwine her life with Zoe’s. Frick easily juggles multiple narratives, and readers will enjoy connecting the dots of her cleverly plotted thriller inspired by Daphne du Maurier’s classic Rebecca. Anna and Zoe are white; the supporting cast includes biracial characters Martina (Latinx/white) and Caden (black/white). Caden discusses grappling with being raised by white adoptive parents, facing racialized suspicion as Zoe’s boyfriend, and feeling marginalized at Yale.

An atmospheric and creepy page-turner. (map) (Thriller. 14-adult)

Pub Date: June 30, 2020

ISBN: 978-1-5344-4970-1

Page Count: 384

Publisher: McElderry

Review Posted Online: March 11, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

No Comments Yet

An unflinching portrayal of the devastating effects of domestic violence.

WATCH OVER ME

After a horrific domestic violence incident, Zoey Ward and her family finally find their footing in Las Vegas only to have their lives overturned by a house fire.

Learning that her father has been recently released from prison, Zoey suspects he had something to do with the blaze. After their lives go up in flames, literally, Zoey along with her mom and her younger siblings, Kate and Cole, flee Las Vegas with the help of her older brother, Will, and his best friend, Tristan. They take refuge in California, where Tristan and his sister welcome them into a world where things seem hopeful and more stable than anything they have ever known. Yet the fear of being hunted down by her father consumes Zoey. The story is narrated from Zoey’s and Tristan’s first-person perspectives, and Gray (Run Away With Me, 2017, etc.) has masterfully captured the uncertainty and terror that come from domestic violence. Tristan and Zoey share a budding romance in which Zoey slowly but surely learns to love and be loved in a nondestructive, healthy way despite her fears and reservations. With everything she has been through, Zoey is the underdog readers will find themselves rooting for. Gray spares no detail in this intense tale. All characters are assumed to be white; Tristan is dyslexic, and there are several queer characters.

An unflinching portrayal of the devastating effects of domestic violence. (Fiction. 16-adult)

Pub Date: Dec. 3, 2019

ISBN: 978-1-5344-4281-8

Page Count: 352

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

Did you like this book?

No Comments Yet
more