The tumultuous history of the crisis-torn Balkans rendered in a gripping panoramic novel.
This sweeping historical fiction, the first in a projected trilogy, covers 10 centuries in the history of Dalmatia, in the former Yugoslavia.
The framing device of Tuma’s novel is the life and memories of Maria Peric, a 66-year-old historian and hotel owner on the peaceful Croatian island of Pag, in the Adriatic Sea. She’s the doting grandmother of Paula, a young girl suffering from leukemia, and to distract the child, she tells stories about the long history of Dalmatia and the Balkan region. Maria has her own traumatic history: “Like thousands of Croatians, Bosnians and Serbians from former Yugoslavia, I am one of the victims of that bloody Balkan war ravaging the heart of Europe in the nineties.” But in the book’s ensuing chapters, Maria tells Paula dramatic stories from the past, starting with the ancient Greeks of the sixth century B.C. and moving on to the Roman emperor Diocletian (“still the most important politician of all times coming from our shores”) and to the 14th-century empire of Ragusa, which controlled the world’s trade routes and grappled with the mighty Venetian Republic. The narrative moves on to the Ottoman Empire and eventually to the rebirth and fall of modern 20th-century Yugoslavia. By pausing the narrative and using fiction to illuminate daily life in each era, Tuma’s dramatization is reminiscent of Rebecca West and James Michener. The momentum of all that history brings the book to the present, to the trial of a Yugoslavian war criminal at The Hague, forming the backdrop for a jarring transition to the book’s second half, which abandons history and deals with the modern-day politics and daily lives of a disparate group of survivors of the recent Balkan wars. The prose throughout can be clunky and a bit prone to cliché, while the relationships in the present day—especially those involving the overly saintly Paula—are curiously less convincing than any of those set in the past. Still, Tuma’s human insights and her considerable scene-painting abilities shed great amounts of light on a region and a people often overlooked in historical fiction, and subsequent volumes should help sharpen the focus on the modern era.
The tumultuous history of the crisis-torn Balkans rendered in a gripping panoramic novel.Pub Date: June 22, 2013
ISBN: 978-1-4839-6922-0
Page Count: 516
Publisher: CreateSpace
Review Posted Online: March 3, 2014
Kirkus Reviews Issue: April 1, 2014
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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