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THE WOLF AND THE RAIN

A slow-burning, palpably grim dystopian tale.

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This post-apocalyptic debut sees a young woman with a past on the trail of a missing person.

The Decline has crippled the world. Rooted in global warming, the phenomenon encompasses humanity’s failure to cope with savage weather, food and water shortages, mosquito plagues, and diseases like the West Nile virus running amok. Samarra is from the barren South—a place requiring mental and physical discipline called Seira—but her new friends in the chaotic North think she’s from nearby Kanlan. Among the Vauns, who protect their own, she’s a drudge who travels around the Barrow, a half-flooded and trash-strewn city, to collect items from her group’s network of contacts. Sam is also friends with Ava, a woman whose daughter, Raina, could be missing or dead. Ava allows the Southerner to stay with her at an abandoned factory and use Raina’s boots and bed. One day, Sam discusses with Jackal, a fellow Vaun, how people often leave their lives behind on the solstice, hoping to start fresh elsewhere. Jackal suggests that Raina bolted with Finlay, her boyfriend. Later, members of the compound—Sam, Jackal, Hakuund, and twins Cassio and Xenia—visit a “party spot” called the Hive, where people enjoy music, gambling, and drinks. After a fire breaks out at the club and they barely escape, Sam’s dreams about her life in the South grow more intense. A sense of loss and failure surrounds a man named Corvus, and Sam begins to realize that finding Raina may mitigate the tragedy that her life has become. In this dour, atmospheric series opener, Lee explores how both the North and South cope with a ruined planet. In the North, stark environmental devastation haunts lines like “There was a mutation and the beetle’s appetite expanded to include other types of softwoods. Then came a second mutation and the hardwoods began to die.” Yet humanity perseveres, finding solace at card tables and drum circles, where “it was loud and damp and bordering on painful, but it was beautiful, and beauty was rare.” The author alternates chapters of Sam’s search for Raina with the protagonist’s Southern past as a child of the Administration. Militarized training centers keep reading, writing, and arithmetic alive while instilling a harsh code of conduct. Protector Gin, for example, tells cadets excited by guns to “prove that you can be trusted with a blade, and maybe you’ll get a projectile.” While these moments further darken the tale, reminding readers of a United States obsessed with the Second Amendment, the South’s “annual contests” are colorful shoutouts to genre favorites like The Hunger Games. Sam’s mission to locate Raina is slow to develop, though realistic in the way that she wakes to an inner conflict, summarized by the line “You think you can do one good thing one time for somebody else and it’ll erase what you did?” The truth behind Raina’s fate touches on another modern-day dilemma—one that hits women the hardest—and the sequel should anchor much of the worldbuilding done in the South.

A slow-burning, palpably grim dystopian tale.

Pub Date: Sept. 28, 2018

ISBN: 978-1-77359-291-0

Page Count: 382

Publisher: Time Tunnel Media

Review Posted Online: Sept. 6, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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