A thought-provoking, singularly strange and absorbing novel.

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The Hangman's Replacement

SPROUT OF DISRUPTION

A desperate villager’s quest to become Zimbabwe’s newest executioner kicks off this intriguing debut horror novel involving man-eating plants, organ harvesting and other uncanny oddities.

Abel Muranda is a devoted family man determined to do whatever it takes to feed his starving rural family, even if it means journeying far into the big city on foot in the hope of landing a job as the government’s hangman. Meanwhile, Zimbabwe’s ruling elite is in an uproar because someone has created a batch of carnivorous flame lilies capable of digging up the dead—and the government’s ghastly secrets, as the plants have been unearthing unmarked graves. Nothing is as it seems in Chiveneko’s science-fiction–tinged tale, which introduces readers to a lethal cast of bad guys and bad girls with tangled motivations. One intriguing subplot follows a man charged with creating a special gallows to be used for executions; he uses discarded weapons of war as his raw materials and would rather spend time cuddling up to his cold, metallic creation than to his warm, loving wife. At nearly 500 pages, this intricately woven novel is a disconcerting parable exploded to epic proportions. The author renders its many characters, from the mad genius responsible for the impending botanical apocalypse, to the prostitute/undercover operative who falls in love with Abel, to the seemingly simple Abel himself, with frightening subtlety and detail. One member of the elite, called Doll Eyes, is described as follows: “Planted into the lower part of his skull was a jaw of menacing proportions. If someone ever tried to mug him at gunpoint, all he had to do was clench it. This alone would demoralize the robber.” The boughs of this arboreal shocker threaten to creak under the weight of its ever-mounting plot, but they never quite crack. Instead, readers are left wondering just how deep the roots go.

A thought-provoking, singularly strange and absorbing novel.

Pub Date: Feb. 22, 2013

ISBN: 978-1481211932

Page Count: 490

Publisher: CreateSpace

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 15, 2013

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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