Grescoe exuberantly captures the glamour and intrigue of a lost world.
An intrepid journalist in free-wheeling 1930s Shanghai.
At that time, Shanghai was “one of the most cosmopolitan places on the face of the earth,” replete with “gin slings and sing-song girls, rickshaw coolies and Bolshevik spies.” It was a place, writes journalist Grescoe (Straphanger: Saving Our Cities and Ourselves from the Automobile, 2012, etc.) in this lively biography of a city and some of its colorful inhabitants, “to which the ambitious, the wily, and the desperate could escape to discard old identities and recreate their lives from scratch.” New Yorker writer Emily Hahn arrived there in 1935, intending to stay for two weeks. She fled, along with other expatriates, in 1943. Those eight years were filled with adventure, danger, love, and sex. She soon met the “free-spending playboy” and real estate mogul Sir Victor Sassoon, who had built, among many other edifices, the sumptuous Cathay Hotel, “the best address in the Far East.” He lived in its penthouse, where he entertained the rich, famous, and beautiful, such as the 30-year-old Hahn. Besides accepting gifts from Sir Victor, Hahn supported herself by reporting for a Shanghai newspaper, and soon she began to contribute pieces about exotic China to the New Yorker. Among them were “pen portraits” of a man she called Pan Heh-ven. He was Zau Sinmay, a famous poet—dashing, handsome, “fabulously wealthy”—and her lover. When he balked at being the subject of her “cultural stereotyping,” she was unapologetic: “I use people,” she said. Sinmay introduced her to smoking opium, which accelerated from “a harmless indulgence” to a 12-pipe-per-day addiction before she checked into a hospital for a cure. Hahn’s challenges intensified during the 13-week Battle of Shanghai in 1937, turbulent Chinese politics, and the Japanese occupation. The author deftly follows Hahn’s adventures through this “city of legend.”
Grescoe exuberantly captures the glamour and intrigue of a lost world.Pub Date: June 14, 2016
ISBN: 978-1-250-04971-1
Page Count: 432
Publisher: St. Martin's
Review Posted Online: March 27, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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