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REDEMPTION

A satirical and surrealistic novel from Britain about the end of history, by a noted former Sixties activist and associate of Danny the Red, that promises a radical if tongue-in-cheek solution for disillusioned revolutionaries. On the eve of the last decade of the 20th century, with Eastern Europe on the brink of freedom, and reformers in the ascendancy in the Soviet Union, a veteran leader of the international Trotsky movement, Ezra Einstein, has a moment of epiphany. He finds himself typing an invitation to all Trotskyites to attend a congress in the New Year in Paris, where he will reveal his ideas for saving the movement despite the great changes taking place. Ezra, who ``combined some of the qualities of an Old Testament prophet with the defects of a New Testament apostle, whose task was to interpret the words of the saviors in changing conditions,'' is also married to the much younger and stunningly beautiful Maya. Maya is pregnant, and many in the movement feel she is vitiating Ezra's commitment. Groups such as the Hoodlums, whose dead leader directs his successor from his coffin; the Burrowers from Britain, headed by Jed who is infatuated with a Thatcher minister; and the American PISPAW, controlled by Jim Noble, who has erotic dreams of Castro—all agree to attend but also plot to expel Ezra. Ezra, however—who mid-congress not only becomes a father but is able to suckle his precocious daughter—outwits them all with his brilliant if unorthodox solution for their political future- -they will infiltrate the world's major religions and ``fight to establish a connection between Heaven and Earth.'' Lots of insider politics, satire, and surrealistic goings-on from a writer with impeccable revolutionary credentials and considerable affection—if not for the ideas, at least for some of the players. Good fun for political groupies.

Pub Date: Dec. 15, 1991

ISBN: 0-7011-3394-5

Page Count: 280

Publisher: Chatto & Windus/Trafalgar

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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