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REDEMPTION

A satirical and surrealistic novel from Britain about the end of history, by a noted former Sixties activist and associate of Danny the Red, that promises a radical if tongue-in-cheek solution for disillusioned revolutionaries. On the eve of the last decade of the 20th century, with Eastern Europe on the brink of freedom, and reformers in the ascendancy in the Soviet Union, a veteran leader of the international Trotsky movement, Ezra Einstein, has a moment of epiphany. He finds himself typing an invitation to all Trotskyites to attend a congress in the New Year in Paris, where he will reveal his ideas for saving the movement despite the great changes taking place. Ezra, who ``combined some of the qualities of an Old Testament prophet with the defects of a New Testament apostle, whose task was to interpret the words of the saviors in changing conditions,'' is also married to the much younger and stunningly beautiful Maya. Maya is pregnant, and many in the movement feel she is vitiating Ezra's commitment. Groups such as the Hoodlums, whose dead leader directs his successor from his coffin; the Burrowers from Britain, headed by Jed who is infatuated with a Thatcher minister; and the American PISPAW, controlled by Jim Noble, who has erotic dreams of Castro—all agree to attend but also plot to expel Ezra. Ezra, however—who mid-congress not only becomes a father but is able to suckle his precocious daughter—outwits them all with his brilliant if unorthodox solution for their political future- -they will infiltrate the world's major religions and ``fight to establish a connection between Heaven and Earth.'' Lots of insider politics, satire, and surrealistic goings-on from a writer with impeccable revolutionary credentials and considerable affection—if not for the ideas, at least for some of the players. Good fun for political groupies.

Pub Date: Dec. 15, 1991

ISBN: 0-7011-3394-5

Page Count: 280

Publisher: Chatto & Windus/Trafalgar

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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