Despite some drawbacks, an insightful story that will appeal to readers nostalgic for the 1970s.
What ever happened to Daisy Jones and The Six, the iconic 1970s rock band that topped the charts and sold out stadiums? It’s always been a mystery why the musicians suddenly disbanded.
Reid (The Seven Husbands of Evelyn Hugo, 2017, etc.) takes an unusual approach to dissecting the breakup of the fictional rock band by offering a narrative composed solely of transcribed interviews. At the center of the documentary-style novel is the relationship between lead singer Billy Dunne, recovering addict and aspiring family man, and sexy bad girl Daisy Jones, whose soulful voice and complex lyrics turn out to have been the missing ingredient The Six needed. When Daisy joins the band, the group catapults to fame, but not without cost. She refuses to simply fall in line and let Billy make the artistic decisions. In doing this, not only does she infuriate the band leader, she also sets an example for other members who are only too happy to start voicing their own demands. Over time the tension between Billy and Daisy grows increasingly more complicated, threatening to take its toll on Billy’s home life. He is fiercely loyal to his wife, Camila, while also being fully cognizant of his weaknesses—a torturous combination for Billy. Other band members have their own embroilments, and Daisy’s bestie, disco diva Simone Jackson, enhances the cast, but the crux of the story is about how the addition of Daisy to The Six forever changes the chemistry of the band, for better and worse. There is great buildup around answering the big question of what happened at their final concert together, though the revelation is a letdown. Further, the documentary-style writing detracts from the storytelling; it often feels gimmicky, as though the author is trying too hard for a fresh and clever approach. This is a shame because her past novels, traditionally told, have been far more engaging.
Despite some drawbacks, an insightful story that will appeal to readers nostalgic for the 1970s.Pub Date: March 5, 2019
ISBN: 978-1-5247-9862-8
Page Count: 368
Publisher: Ballantine
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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