Reid's heroine reveals her darkest secrets as if she were wiping off makeup at the end of the night—a celebration of human...
An aging starlet with seven marriages behind her generously offers the rights to her memoir to an inexperienced writer—at a heartbreaking cost.
Monique Grant is stunned when Hollywood legend Evelyn Hugo grants an exclusive interview to her over more seasoned journalists, but when she’s also chosen to publish Evelyn’s final confessions after her death, she learns that the 79-year-old actress has enough life experience for them both. Growing up poor in Hell’s Kitchen, young Evelyn Herrera trades her virginity for a ride to Hollywood, changes her name, and climbs the rungs of the entertainment-industry ladder one husband at a time until she hits Oscar gold. To write her off as being calculating and fickle would leave out the difficulty of being a woman, especially a woman of color, trying to get by in the late 1950s without a man’s blessing. Evelyn plays up her bombshell figure and hides her Cuban roots by dying her hair blonde—the first of many lies she’ll have to tell over the course of her life to prove to the world that she deserves her place in the spotlight. She’s unapologetically ambitious but not without remorse. Which of her seven husbands was her true love? Why did she choose Monique to tell her story? Evelyn recounts her failures and triumphs in chronological order, one husband at a time, with a few breaks for Monique to report back to her editor. The celebrity tell-all style is a departure from Reid’s (One True Loves, 2016, etc.) previous books, but Evelyn Hugo is a character who can demand top billing. When asked if it bothers her that “all anyone talks about when they talk about you are the seven husbands of Evelyn Hugo,” she says no: “Because they are just husbands. I am Evelyn Hugo.”
Reid's heroine reveals her darkest secrets as if she were wiping off makeup at the end of the night—a celebration of human frailty that speaks to the Marilyn Monroe and Elizabeth Taylor in us all.Pub Date: June 6, 2017
ISBN: 978-1-5011-3923-9
Page Count: 400
Publisher: Atria
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK TO SCREEN
SEEN & HEARD
SEEN & HEARD
The Dukes of Hazzard written as if it were a homiletic drama.
An irritatingly hokey, inept attempt to invade Fannie Flagg territory.
Ave Maria Mulligan, a pharmacist in Big Stone Gap, discovers she has a long-lost Italian father, saves Elizabeth Taylor from choking on a chicken wing, and follows her friend Iva Lou's advice and gets her a workingman. It's 1978, and Ave Maria's mother has passed away, leaving a letter stating that mean old Fred Mulligan wasn't her daughter’s real father. It's unclear why Mama never told anyone, but Ave Maria's father is Mario Barbari, a boy she knew back in Bergamo. Iva Lou Wade—a promiscuous, worldly-wise woman who calls everyone “honey-o” or “sweetie-o”—drives the Bookmobile. She finds a book on Bergamo that just happens to have a picture of Mario. Ave Maria, who ruminates incessantly, is reeling from all this news and, in a truly bizarre move, sells her pharmacy—for one dollar—to Pearl Grimes, a poor, overweight teenaged girl she'd recently hired. Meanwhile, Ave Maria lusts after the high-school band director, who initially spurns her. She, in turn, is the object of Jack Mac's affection, though he proposed to someone else on stage on the closing night of the Outdoor Drama, which Ave Maria directs. Ave Maria is also a member of the rescue squad and, when Elizabeth Taylor comes to town with her husband, senatorial candidate John Warner, to attend a high-school football game, she helps the choking actress get to the hospital. To add insult to cornball, the blushing, bumbling Jack Mac woos a surprised Ave Maria by selling his precious pickup truck to pay for her father and aunts to come to America. The couple will wed and name their child Fiametta Bluebell. Trigiani lacks subtlety, and the fun is lost in the desire to be taken seriously.
The Dukes of Hazzard written as if it were a homiletic drama.Pub Date: April 4, 2000
ISBN: 0-375-50403-6
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
A fun and fast-moving read, and better edited than many of Laurens’ past efforts. Highly recommended.
A straight-laced Glasgow businessman is drawn back into clan politics and a romance with a woman from a neighboring estate.
Laurens (By Winter’s Light, 2014, etc.) returns to her popular Cynster series with this romantic mystery set in mid-19th-century Scotland. Thomas Carrick is looking for “the right sort of wife for a gentleman of the type he intended to become—a pillar of the wealthy business community.” But a plea for help from farmers on his uncle’s estate causes him to abandon Glasgow suddenly. His wastrel cousins are taking advantage of their father the laird’s lingering illness to plunder the clan’s coffers. Thomas is determined to set things right, even though it means encountering the witchy woman on the next estate, Lucilla Cynster, who has held him in thrall for many years. Lucilla, on the other hand, has been waiting for Thomas to figure out that a marriage between them has been preordained by the Lady, a local deity embodied by Lucilla’s mother. She believes Thomas is her consort, chosen by the Lady to be the future caretaker of Lucilla and her people. Together, they work to solve the mystery of recent foul deeds on Carrick land and have fabulous sex around the edges. The book falls prey to the annoying tics common in Laurens’ prose (can you really sigh inwardly, catch your mental breath, mentally blink or rock back on your mental heels?) but is a fairly successful example of cross-genre experiments in which classic mystery and historical romance and even fantasy tropes are combined. The solution to the mystery is wonderfully unpredictable, and both Thomas and Lucilla are flawed and likable characters.
A fun and fast-moving read, and better edited than many of Laurens’ past efforts. Highly recommended.Pub Date: Feb. 24, 2015
ISBN: 978-0-7783-1782-1
Page Count: 384
Publisher: Harlequin MIRA
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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