by Ted Geltner ‧ RELEASE DATE: May 15, 2016
An absorbing but sad chronicle of a tormented writer.
Alcohol, rage, and determination mark a writer’s life.
In 1979, Harry Crews (1935-2012) stumbled drunkenly through a reading at the University of South Florida. “What did it take to be a real novelist?” an audience member shouted out. Defiantly, Crews shouted back: “Blood!...Bone!...Marrow!” He might well have added: sweat, tears, and alcohol. Geltner (Journalism/Valdosta State Univ.; Last King of the Sport Page: The Life and Career of Jim Murray, 2012) draws on interviews with Crews, his colleagues, students, drinking buddies, and ex-wife and on Crews’ fiction, memoirs, and nonfiction to produce a candid, sympathetic life of a wounded, self-destructive man. Born in rural Georgia to a family struck hard by the Great Depression, Crews’ childhood was “filled with violence and pain and hideously damaged people” and “replete with disease and alienation and indescribable suffering.” At 5, he contracted polio. Although doctors said he would never walk again, he ended up with only a limp. A few months later, he fell into a pot of scalding water, resulting in burns over two-thirds of his body. “At least in terms of physical agony,” Geltner observes, “Harry’s life had bottomed out early.” Crews later escaped by joining the Marines; he married, had two sons, earned a college degree, and took a teaching job at the University of Florida, all the while determined to be a writer. His first novel, The Gospel Singer (1968), won critical praise for its “nice wild flavor,” and some compared him to Faulkner and Hemingway. Prestigious houses vied for his work, and he published eight novels in eight years, got assignments from top-level magazines (Playboy, Esquire), and won a string of awards. But demons overcame him: Geltner calls him a functioning alcoholic, except when he was not. One year, he had 16 stays in rehab clinics. His classes—when he was sober enough to appear—were “tension- and testosterone-filled environments.”
An absorbing but sad chronicle of a tormented writer.Pub Date: May 15, 2016
ISBN: 978-0-8203-4923-7
Page Count: 416
Publisher: Univ. of Georgia
Review Posted Online: Feb. 29, 2016
Kirkus Reviews Issue: March 15, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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