An excellent, thoughtful book about the Vietnam War.
An unusual Vietnam-era novel that features a bicycle race along with much soul-searching.
In 1970, Brendan Leary, the hero and narrator of Harkin’s debut novel, has just gotten out of college and decides to enlist in the U.S. Air Force before he’s drafted into the Army. A photographer with some experience under his belt, he hopes to eventually go to the famous University of Southern California film school, and maybe the GI Bill will help. He thinks that his Vietnam experience will be a cushy billet, editing film behind the front lines in an air-conditioned hut. He’s wrong, of course; first of all, he’s not in Vietnam but Thailand (in an illegal military operation), and he soon finds himself filming the action firsthand, riding an AC-130 gunship as it destroys Viet Cong caravans on the Ho Chi Minh Trail. The VC return the favor with fierce anti-aircraft fire. To say that Brendan is terrified every time he goes up would be understatement. The airmen are either “hippies” or “lifers”; Brendan and friends are, of course, laid-back hippies (think M*A*S*H). There are lots of drugs—anyone who only smokes marijuana is practically a choirboy—and a club scene in which Brendan, a drummer, bangs away after hours. He falls half in love with the beautiful Tukada, who works at the club—even though he has another girlfriend stateside—and spends the rest of his hitch desperately trying to save her from her own heroin habit. This is all capped with an exhilarating bicycle race among the soldiers which ends very badly, indeed. Author Harkin has had a successful career as a Hollywood cameraman, and his idea of mixing war and photography in this novel is clever. He shows how it’s the photographer’s job to make the war look good while also providing some distance. It’s ironic that both guns and cameras “shoot” people, and the pictures help to make the carnage exciting, almost attractive; the Viet Cong and their supply trucks become like simple figures in a video game. Harkin also shows how Brendan realizes, over time, that the Americans are inflicting as much damage on the Thai people as on the avowed enemy, vulgarizing a beautiful culture and trashing the economy; bar girls and masseuses make more money than local professionals, and everything is sold cheap. In a final scene, readers discover that Thai Army Sgt. Prasert, a supposed friend, has been nursing a raging hatred for Americans all along, and readers will find it hard to blame him. But in a particularly tear-jerking scene, Brendan, his friend Tom, and Tukada perform their own very loopy three-way wedding. In the end, the tone of the book seems Shakespearian, as everybody in the narrative ends up losing. And Harkin’s prose is lyrical at times: “With a hundred incarnations of Death as their companion, ground pounders never had a chance to be lonely, especially in the hot and spicy nighttime when they were caressed by their desperate mistress, Fear.”
An excellent, thoughtful book about the Vietnam War.Pub Date: Jan. 30, 2017
ISBN: 978-6-16-215132-3
Page Count: 396
Publisher: Silkworm Books
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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