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THE BIG BUDDHA BICYCLE RACE

An excellent, thoughtful book about the Vietnam War.

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An unusual Vietnam-era novel that features a bicycle race along with much soul-searching.

In 1970, Brendan Leary, the hero and narrator of Harkin’s debut novel, has just gotten out of college and decides to enlist in the U.S. Air Force before he’s drafted into the Army. A photographer with some experience under his belt, he hopes to eventually go to the famous University of Southern California film school, and maybe the GI Bill will help. He thinks that his Vietnam experience will be a cushy billet, editing film behind the front lines in an air-conditioned hut. He’s wrong, of course; first of all, he’s not in Vietnam but Thailand (in an illegal military operation), and he soon finds himself filming the action firsthand, riding an AC-130 gunship as it destroys Viet Cong caravans on the Ho Chi Minh Trail. The VC return the favor with fierce anti-aircraft fire. To say that Brendan is terrified every time he goes up would be understatement. The airmen are either “hippies” or “lifers”; Brendan and friends are, of course, laid-back hippies (think M*A*S*H). There are lots of drugs—anyone who only smokes marijuana is practically a choirboy—and a club scene in which Brendan, a drummer, bangs away after hours. He falls half in love with the beautiful Tukada, who works at the club—even though he has another girlfriend stateside—and spends the rest of his hitch desperately trying to save her from her own heroin habit. This is all capped with an exhilarating bicycle race among the soldiers which ends very badly, indeed. Author Harkin has had a successful career as a Hollywood cameraman, and his idea of mixing war and photography in this novel is clever. He shows how it’s the photographer’s job to make the war look good while also providing some distance. It’s ironic that both guns and cameras “shoot” people, and the pictures help to make the carnage exciting, almost attractive; the Viet Cong and their supply trucks become like simple figures in a video game. Harkin also shows how Brendan realizes, over time, that the Americans are inflicting as much damage on the Thai people as on the avowed enemy, vulgarizing a beautiful culture and trashing the economy; bar girls and masseuses make more money than local professionals, and everything is sold cheap. In a final scene, readers discover that Thai Army Sgt. Prasert, a supposed friend, has been nursing a raging hatred for Americans all along, and readers will find it hard to blame him. But in a particularly tear-jerking scene, Brendan, his friend Tom, and Tukada perform their own very loopy three-way wedding. In the end, the tone of the book seems Shakespearian, as everybody in the narrative ends up losing. And Harkin’s prose is lyrical at times: “With a hundred incarnations of Death as their companion, ground pounders never had a chance to be lonely, especially in the hot and spicy nighttime when they were caressed by their desperate mistress, Fear.”

An excellent, thoughtful book about the Vietnam War.

Pub Date: Jan. 30, 2017

ISBN: 978-6-16-215132-3

Page Count: 396

Publisher: Silkworm Books

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 15, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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