A vivid first installment of a saga that will make readers look forward to the next.



From the The Shadow Mountain Saga series , Vol. 1

An Appalachian woman and her son struggle to protect their mountain home in Collins’ (The Hunter of Hertha, 2015, etc.) historical-fantasy series starter.

In 1894, Delta Wade lives on Shadow Mountain with her young son, Lafette. Arn Marlon, Delta’s missing common-law husband, is a Watcher: a person who can wield the mountain’s magic and protect its people from harm. Delta hopes that Arn, long rumored dead, will return to raise his son as the next Watcher and protect their home from the Kingsleys, a rich family that’s bringing in industrialization and all the changes that come with it. The Kingsley family patriarch, King Kingsley, once tried to kill Arn and now harasses Delta in order to get harvesting rights to the magical Tyme trees covering Shadow Mountain. Kingsley’s son, the kind and handsome Henry, is desperately in love with Delta and tries to protect her from his father, while Kate Huston, Delta’s former mentor, seeks to take ownership of the mountain, claiming that only her stronger magic can keep it safe. Dueling economic and magical powers lead to a cataclysmic event that destroys multiple characters’ lives. Years later, an isolated Delta and a grown Lafette get a slim opportunity to revive what’s been lost. The fictional world of Shadow Mountain is complex and layered, with multiple characters all pursuing different, if sometimes-overlapping, goals. The result is a riotous, complex tale that still feels somber and elegiac as old ways conflict with new changes. Fittingly enough for a battle over a place, Collins’ descriptions of the setting are particularly vivid; a stand of poplar trees, for example, are “so tall they seemed like strings dropping from the sky.” The book’s first part brims with narrative tension as the conflicting interests come to a head, but the second part feels slacker, with less clearly defined conflicts, greater reliance on magical events and mystical sightings, and an ending that borders on a deus ex machina. But Collins’ well-defined, likable characters and colorful atmosphere are enjoyable throughout even when the plotting gets less coherent.

A vivid first installment of a saga that will make readers look forward to the next.

Pub Date: Jan. 4, 2017

ISBN: 978-1-937356-46-0

Page Count: -

Publisher: BearCat Press

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: April 1, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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