An ambitious story of a tough woman’s experiences across four decades.
The first novel of Collins’ (The Hunter of Hertha, 2015, etc.) Midnight Valley Quartet tells the story of a Kentuckian’s long fight for survival.
From early childhood, Randi Jo Gaylor finds the world stacked against her. As one of 13 children in Notown, a poor, white section of Crimson County, Kentucky, in the 1940s, Randi Jo, dressed in sackcloth, spends her days begging and stealing food to supplement her meager diet of beans. Times are hard enough when her father is working as a coal miner, but whenever he gets locked up in jail or incapacitated with black lung, they become dire. As the years go on, Randi Jo confronts abuse, murder, racism, and burdensome family secrets. This traumatic life is seemingly dictated by Notown itself, where “meanness ran in people’s veins.” Randi Jo hopes to escape her environment when she becomes a teenage bride to a young man from a comparatively wealthy neighboring town, but the young couple eventually ends up back in Notown, nonetheless. Decades pass, and Randi Jo goes through a divorce, a violent marriage to a low-level gangster, and further degradation. At times, the tragedies of Randi Jo’s life come with dizzying speed, but the strong first-person narration and sympathetic characters keep readers emotionally invested in the twisting narrative. There are some awkward formal aspects to the novel—a “Fear Angel” motif is heavy-handed, and a 1980s storyline initially feels forced—but the way Collins portrays Randi Jo’s development over decades of trauma is quite impressive. The protagonist is supported by a rich cast of secondary characters, primarily her family members, who deal with the hands they’ve been dealt in their own ways. The scope of emotional experience and brutality in this novel is vast, yielding a rich, evocative tale of one woman’s trials. “Your life,” Randi Jo’s daughter observes, “has been about surviving it.”
An ambitious story of a tough woman’s experiences across four decades.Pub Date: May 7, 2013
ISBN: 978-1-937356-31-6
Page Count: 428
Publisher: BearCat Press
Review Posted Online: Aug. 9, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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