A cheekily ironic takedown of academic adventures in absurdity.
Barlow’s (Between the Eagle or the Dragon, 2013, etc.) debut novel provides a farcical look at the pursuit of junk science in the hallowed halls of the academy.
Sandra Hidecock, a distinguished legal professor at Harvard, plunges to her death from a campus window. Her demise is ruled a suicide and followed by a celebration of the central theme of her work: the tyranny constituted by the immutable laws of nature, the chief barrier to the achievement of human autonomy. Harvard scientist Duronimus Karlof generally considers her work to be faddish nonsense based on a puerile misunderstanding of even the most basic science. But Hidecock left him a letter imploring him to consider her research, a solicitation he finds surprisingly moving. As a result, Karlof decides to put together a team of underachieving academics—he calls them “gloominaries”—to pursue an ambitious project inspired by Hidecock, the contravention of the laws of nature. After the consideration of utterly outrageous possibilities, the “Harvard Six” decide to create a machine—the “Ooala Reactor”—which can slow an object down even after it becomes stationary, achieving a condition they call “sub-stationary.” Of course, this is scientifically meaningless, but apparently that’s an unimportant concern. When one of the scientists expresses anxiety over the coherence of the project, Amelia, the group’s legal adviser and a devotee of Hidecock, responds: “You mustn’t worry about that. If people understood modern physics, nobody would ever fund it. Our greatest advantage will be that nobody understands what we’re doing—not even us.” They manage to raise over a billion dollars in funding commitments and attract the enthusiastic attention of academic and governmental organizations alike. A gifted satirist, Barlow impressively lampoons higher education’s obsession with novelty at the expense of rigor and common sense. The dialogue is memorably funny, and the author avoids the most common trap of satire, which is to adopt a sententiously knowing tone. The story intelligently raises provocative questions about the historically stormy relationship between science and public opinion, and it wryly exposes the vanity and ideological blindness of even the most heralded intellectuals. This is a rare book—hilarious, thoughtful, and culturally relevant all at once.
Pub Date: Nov. 4, 2016
ISBN: 978-0-9924159-3-8
Page Count: 304
Publisher: Ivory League Publishing
Review Posted Online: Oct. 30, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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