A cheekily ironic takedown of academic adventures in absurdity.

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A Theory of Nothing

Barlow’s (Between the Eagle or the Dragon, 2013, etc.) debut novel provides a farcical look at the pursuit of junk science in the hallowed halls of the academy.

Sandra Hidecock, a distinguished legal professor at Harvard, plunges to her death from a campus window. Her demise is ruled a suicide and followed by a celebration of the central theme of her work: the tyranny constituted by the immutable laws of nature, the chief barrier to the achievement of human autonomy. Harvard scientist Duronimus Karlof generally considers her work to be faddish nonsense based on a puerile misunderstanding of even the most basic science. But Hidecock left him a letter imploring him to consider her research, a solicitation he finds surprisingly moving. As a result, Karlof decides to put together a team of underachieving academics—he calls them “gloominaries”—to pursue an ambitious project inspired by Hidecock, the contravention of the laws of nature. After the consideration of utterly outrageous possibilities, the “Harvard Six” decide to create a machine—the “Ooala Reactor”—which can slow an object down even after it becomes stationary, achieving a condition they call “sub-stationary.” Of course, this is scientifically meaningless, but apparently that’s an unimportant concern. When one of the scientists expresses anxiety over the coherence of the project, Amelia, the group’s legal adviser and a devotee of Hidecock, responds: “You mustn’t worry about that. If people understood modern physics, nobody would ever fund it. Our greatest advantage will be that nobody understands what we’re doing—not even us.” They manage to raise over a billion dollars in funding commitments and attract the enthusiastic attention of academic and governmental organizations alike. A gifted satirist, Barlow impressively lampoons higher education’s obsession with novelty at the expense of rigor and common sense. The dialogue is memorably funny, and the author avoids the most common trap of satire, which is to adopt a sententiously knowing tone. The story intelligently raises provocative questions about the historically stormy relationship between science and public opinion, and it wryly exposes the vanity and ideological blindness of even the most heralded intellectuals. This is a rare book—hilarious, thoughtful, and culturally relevant all at once.

A cheekily ironic takedown of academic adventures in absurdity.

Pub Date: Nov. 4, 2016

ISBN: 978-0-9924159-3-8

Page Count: 304

Publisher: Ivory League Publishing

Review Posted Online: Oct. 30, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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