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SUSPECTS

Berger takes on the suburban police novel in his latest deadpan deconstruction. Frustrated and tantalized when the patrolmen she's called out to investigate her neighbor's failure to answer the phone or the doorbell leave without doing anything but ringing the bell themselves, placidly nosey Mary Jane Jones lets herself in the back door and discovers Donna Howland and her daughter Amanda, three, both murdered. Shocked Larry Howland returns from a business trip to find himself a widower. It isn't long, though, before the police find that he's never left town; he's been enjoying his latest stint in the Starry Night Motel, accompanied by garish decor, adult videos, and his boss's wife. But Officers Nick Moody and Dennis LeBeau soon give up on him as a suspect and focus on his shiftless half-brother Lloyd, who'd been having an unnervingly bad day, revealed in a series of merciless crosscuts, even before the cops started looking for him. Lloyd had broken his shaver, gotten fired from still another job, angered his boss into lodging a complaint against him, gotten pinched attempting to steal a rubber duckie from the local five-and-ten, and walked into a liquor store determined to rob it—only to stumble on the bloody aftermath of an earlier robbery. In anyone else's hands such elaborate forebodings would be the stuff of melodrama, but master parodist Berger piles up detail on detail with such cool detachment that the whole lurid whodunit recedes into the distance, as if you were watching it through the wrong end of a telescope. What emerges in its place is a crazy quilt of subplots—Lloyd's adventures with trucker Molly Sparks, the growing friction between Moody and LeBeau, and an insultingly inconsequential solution to the mystery—whose lack of connection gives the tale a gravely comic tone. Not the most successful of Berger's enigmatic sendups; as in Robert Crews (1994), fans of the genre under dissection are more likely to be bemused than enlightened.

Pub Date: Sept. 1, 1996

ISBN: 0-688-11925-5

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1996

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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