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MIRROR LAKE

Earnest and engaging: a nicely turned-out if unsurprising debut that’s not likely to stay in a reader’s mind for long.

A twentysomething man comes of age somewhat belatedly, in part by discovering an old man’s secret past.

Nathan Carter is a true Boston Brahmin, but there wasn’t much silver left on the baby’s spoon by the time he was born, and his childhood was far from privileged. Now a thirtysomething slacker, Nathan spent most of his 20s hanging out in Boston, where he waited tables and moved passionlessly from one short-term girlfriend to another. When his father died and left him a small inheritance, Nathan took the money and left town, heading up to northern Vermont and settling in the small town of Eden. There, he took a job as a mailman and started going out with Kate, the daughter of the local tavernkeeper. It was beginning to look like a rural rerun of Boston—until Nathan met Wallace Fiske, the town recluse. An old Vermonter, Wallace grew up in Eden and worked his family’s farm on the outskirts of town. Ornery and brusque (even by New England standards), Wallace is not easy to make friends with, but he eventually opens up to Nathan and slowly, piece by piece, reveals to him the story of his life. The focus of it is Nora, Wallace’s late wife, whom Wallace fell in love with on first sight in the late 1940s. Wallace is short on details but he describes the miscarriage that broke Nora’s heart and took her will to live. What Nathan finds out on his own, however, is that Nora is, in fact, alive and well in upstate New York, long estranged from Wallace. What went wrong? Nathan and Kate are impulsive types, so they visit Nora to find out. It’s a predictably sad story, involving death, adultery, betrayal, and despair. Typical backwoods Vermont, in other words.

Earnest and engaging: a nicely turned-out if unsurprising debut that’s not likely to stay in a reader’s mind for long.

Pub Date: Aug. 1, 2003

ISBN: 0-7432-4427-3

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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