Both the lure and the ordeal of the priestly life, as explored in gratifying detail and depth by the eminent Australian novelist and historian (Abraham Lincoln, p. 1591, etc.).
The conflicted protagonist is Father Frank Darragh, a recently ordained young Catholic priest serving in a suburb of Sydney during the early 1940s, when war in the Pacific Theater includes Japan’s takeover of the Malay Peninsula and increasingly threatening nearby presence. Father Frank, an imperfectly obedient “young Turk” to his worldly superior Monsignor Carolan, soon becomes involved with—and troubled by—a rich variety of errant parishioners: a guilty young bloke traumatized by his single sexual experience with a transvestite; a ménage including terminal TB patient Mrs. Flood, her passive husband, and fiery younger lover; an American soldier who seems prepared to buy absolution for himself and his several loved ones; and—crucially—beautiful Kate Heggarty, whose husband is a German POW and whose frank embrace of adultery triggers several tense conversations with Father Frank. The narrative in fact abounds with such conversations, as the hopeful novice intrudes himself into the case of an AWOL black soldier held in a military prison, and incurs suspicion when Kate Heggarty is found murdered and the priest’s “relationship” with her is revealed. The story is very neatly plotted, and Keneally handles with great skill Darragh’s climactic meeting with the guiltiest of his flock, just as Japanese submarines invade Sydney Harbor. Nevertheless, Office of Innocence succeeds best as a searching analysis of the religious life; it’s a richer, more mature counterpart to Keneally’s somewhat similar 1969 fiction, Three Cheers for the Paraclete.
This world-renowned, award-winning author has produced more than two dozen novels, including a major one, Bettany’s Book, that preceded this one—and has not yet appeared in the US. Why not?Pub Date: March 18, 2003
ISBN: 0-385-50763-1
Page Count: 336
Publisher: Nan A. Talese
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Categories: GENERAL FICTION | HISTORICAL FICTION
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BOOK REVIEW
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BOOK REVIEW
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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