Ex-hippie and ex-druggie Montana businessman and cattle- rancher Frank Copenhaver is winding down: ``the man who had always been just ahead of events was now slightly behind them.'' He's going broke, he's lost his wife, and his daughter is keeping company with a Montana-Firster fascist-type who is Frank's own age or thereabouts. Frank—as the good McGuane character he is—is given to outsized and far-fetched screw-ups and high-jinks, but error isn't saving him now. Nothing is. This errant yet debonair loser—McGuane's perpetual protagonist—gains something with age, though—as does McGuane. A lovely stylist always, McGuane has been handicapped by having to jab at a hip counterculture as silly as his own dandy-ish characters were. But now, with the passing of that counterculture, with only its relics like Frank Copenhaver left, it—like Frank- -takes on poignancy, and McGuane is free to become a kind of American Kingsley Amis. Unloved and unwanted by the Zeitgeist (which prefers the Perot-like doings of the Montana-Firster), Frank is an unchained eye in a novel that shares the tang of liberation and is all over the map as he thinks, for example, now about McDonald's (``Americans had overtaken their product line, if he was any judge, waiting for McThis and McThat. If there were only a few departures or insights—McShit on the toilets, anything—it would be so much easier to take one's seat in this American meeting place and not feel such despair that the world was going on without you''), now about the disappeared drug-culture (``And what fun those darn drugs were. Marvelous worlds aslant, a personal speed wobble in the middle of a civilization equally out of control. And it was wonderful, however short, to have such didactic views on everything, everyone coming down from the mountain with the tablets of stone. Hard to say what it all came to now. Skulls in the desert''). Funny, sad, deliciously written (albeit with dumb plot curlicues): McGuane's most amiable novel, perhaps his best.
Pub Date: Sept. 29, 1992
ISBN: 0-395-54540-4
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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