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DREISER'S RUSSIAN DIARY

Notes on Theodore Dreiser's two-month 192728 tour of the Soviet Union that provided the material for the book Dreiser Looks at Russia (1928). Its title notwithstanding, much of this ``diary'' was penned by American-born Ruth Epperson Kennell, then living in Russia. As Dreiser's secretary (and lover), she kept notes that Dreiser reviewed and annotated at the time, and later edited. Together, they describe visits to places as varied as the Hermitage, the State Circus, the Czar's Village (``the worst palace I have ever seen,'' says Kennell in Dreiser's voice), a candy factory, an ``electro- mechanical'' plant, and a coal mine. In addition to chatting with Communist bureaucrats (questioned with terrier-like tenacity, as he tries to expose failings in the system), Dreiser converses with people ranging from Sergei Eisenstein and Konstantin Stanislavski to a woman who, mistaking the author and his entourage for an inspection commission, complains of dampness in her walls. Although Kennell includes comments to please people at VOKS (the government cultural agency to whom, without telling Dreiser, she supplied a duplicate of most of her portion of the diary), much here will be interesting to scholars—particularly when read in conjunction with Dreiser's 1928 volume and with Kennell's own book on the trip. En route to Russia, Dreiser speculates that after a revolution ``the miraculous will become the real,'' and, indeed, he is determined to see the ``real'' Russia. At times, perhaps, the experiences become a bit too real, as Dreiser grouses about unreliable trains, mediocre food, and seemingly ever-present filth. By the end of the tour he has seen enough reality to say (per Kennell-Dreiser), ``My one desire is to get out of here as quickly as possible and back to America.'' The editors, Riggio (English/Univ. of Connecticut) and West (English/Pennsylvania State Univ.), have prepared a volume that is primarily for those interested in Dreiser or in the USSR of the 1920s.

Pub Date: Oct. 1, 1996

ISBN: 0-8122-8091-1

Page Count: 320

Publisher: Univ. of Pennsylvania

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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