by Thomas P. Riggio & edited by III West ‧ RELEASE DATE: Oct. 1, 1996
Notes on Theodore Dreiser's two-month 192728 tour of the Soviet Union that provided the material for the book Dreiser Looks at Russia (1928). Its title notwithstanding, much of this ``diary'' was penned by American-born Ruth Epperson Kennell, then living in Russia. As Dreiser's secretary (and lover), she kept notes that Dreiser reviewed and annotated at the time, and later edited. Together, they describe visits to places as varied as the Hermitage, the State Circus, the Czar's Village (``the worst palace I have ever seen,'' says Kennell in Dreiser's voice), a candy factory, an ``electro- mechanical'' plant, and a coal mine. In addition to chatting with Communist bureaucrats (questioned with terrier-like tenacity, as he tries to expose failings in the system), Dreiser converses with people ranging from Sergei Eisenstein and Konstantin Stanislavski to a woman who, mistaking the author and his entourage for an inspection commission, complains of dampness in her walls. Although Kennell includes comments to please people at VOKS (the government cultural agency to whom, without telling Dreiser, she supplied a duplicate of most of her portion of the diary), much here will be interesting to scholars—particularly when read in conjunction with Dreiser's 1928 volume and with Kennell's own book on the trip. En route to Russia, Dreiser speculates that after a revolution ``the miraculous will become the real,'' and, indeed, he is determined to see the ``real'' Russia. At times, perhaps, the experiences become a bit too real, as Dreiser grouses about unreliable trains, mediocre food, and seemingly ever-present filth. By the end of the tour he has seen enough reality to say (per Kennell-Dreiser), ``My one desire is to get out of here as quickly as possible and back to America.'' The editors, Riggio (English/Univ. of Connecticut) and West (English/Pennsylvania State Univ.), have prepared a volume that is primarily for those interested in Dreiser or in the USSR of the 1920s.
Pub Date: Oct. 1, 1996
ISBN: 0-8122-8091-1
Page Count: 320
Publisher: Univ. of Pennsylvania
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Theodore Dreiser & edited by Thomas P. Riggio
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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