Swift, unsentimental, and deeply satisfying. Liam Neeson would be perfect in the title role.
Perry (Forty Thieves, 2016, etc.) drives deep into Jack Reacher territory in this stand-alone about a long-ago Army intelligence officer whose less-than-grateful nation just won’t let him be.
Dispatched to Libya a generation ago to deliver $20 million to Faris Hamzah for distribution to rebel fighters, Michael Kohler watched as Hamzah sat on the money, purchasing a Rolls-Royce, financing a cadre of personal bodyguards, and doing everything except pass the bundle to the intended recipients. So Kohler grabbed the rest of the money and hightailed it back to the USA. His offers to return the money to the National Security Agency fell on the deaf ears of bureaucrats who informed him that he was a wanted criminal who’d better turn himself in and face the music. So Kohler went off the grid as Dan Chase, of Norwich, Vermont, invested the money cautiously, and set up several false identities, just in case. Ten years after his wife died, his past catches up with him in the shape of two Arab-looking men who break into his house while he’s supposed to be asleep. After taking care of business with brutal efficiency, he goes on the lam once more. As Peter Caldwell he drives to Chicago, where he meets Zoe McDonald, who’s quickly drawn to him. They make some sweet memories together as Henry and Marcia Dixon; then it’s time once more for Henry to leave. Julian Carson, the special ops contractor assigned to locate Dixon and set him up for the kill, ends up sympathizing with him instead—especially after he helps arrange the return of the $20 million and sees that it doesn’t lessen the pressure on Dixon—and passes on the information that allows the Dixons to escape, though it doesn’t exactly feel like an escape to Marcia. They retreat to an isolated cabin in Big Bear; Carson quits the assignment and marries his Arkansas sweetheart. Both men wait for the inevitable, and in the fullness of time, it arrives with guns ablaze.
Swift, unsentimental, and deeply satisfying. Liam Neeson would be perfect in the title role.Pub Date: Jan. 3, 2017
ISBN: 978-0-8021-2586-6
Page Count: 400
Publisher: Mysterious Press
Review Posted Online: Sept. 26, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK TO SCREEN
Chavez delivers a fraught if flawed page-turner that attempts too many twists.
A good Samaritan incurs a psychopath’s wrath in this debut thriller.
Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.
Chavez delivers a fraught if flawed page-turner that attempts too many twists.Pub Date: Feb. 18, 2020
ISBN: 978-0-06-293617-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.
A young Philadelphia policewoman searches for her addicted sister on the streets.
The title of Moore’s (The Unseen World, 2016, etc.) fourth novel refers to “a long bright river of departed souls,” the souls of people dead from opioid overdoses in the Philadelphia neighborhood of Kensington. The book opens with a long paragraph that's just a list of names, most of whom don’t have a role in the plot, but the last two entries are key: “Our mother. Our father.” As the novel opens, narrator Mickey Fitzpatrick—a bright but emotionally damaged single mom—is responding with her partner to a call. A dead girl has turned up in an abandoned train yard frequented by junkies. Mickey is terrified that it will be her estranged sister, Kacey, whom she hasn’t seen in a while. The two were raised by their grandmother, a cold, bitter woman who never recovered from the overdose death of the girls' mother. Mickey herself is awkward and tense in all social situations; when she talks about her childhood she mentions watching the other kids from the window, trying to memorize their mannerisms so she could “steal them and use them [her]self.” She is close with no one except her 4-year-old son, Thomas, whom she barely sees because she works so much, leaving him with an unenthusiastic babysitter. Opioid abuse per se is not the focus of the action—the book centers on the search for Kacey. Obsessed with the possibility that her sister will end up dead before she can find her, Mickey breaches protocol and makes a series of impulsive decisions that get her in trouble. The pace is frustratingly slow for most of the book, then picks up with a flurry of revelations and developments toward the end, bringing characters onstage we don’t have enough time to get to know. The narrator of this atmospheric crime novel has every reason to be difficult and guarded, but the reader may find her no easier to bond with than the other characters do.
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.Pub Date: Jan. 7, 2020
ISBN: 978-0-525-54067-0
Page Count: 496
Publisher: Riverhead
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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