by Thomas Rayfiel ‧ RELEASE DATE: Sept. 1, 1999
Rayfiel (Split-Levels, 1994) restores his talent for the religious/sexual baroque to a place it fits perfectly—an isolationist Iowan religious commune, in which a 15-year-old girl begins to see things for what they are. Eve, the Colony girl of the title, is a splendid, sharply written creation: romantic enough to hope, innocent enough to hurt, and wise enough to move on. The Colony, located in tiny Arhat, is ’sixty-two of us,” Eve says, “twelve families, refugees from a world that was out of control, trying to lead Christian lives.” Eve’s mother has a “past” with Gordon, the eccentric leader of the Colony, and charismatic Everclear slugger who perpetually wears shades. This mysterious balance is upset when Gordon announces his plans to marry Serena, Eve’s best friend. While working a summer job on a road crew, Eve has a taste of the real world, and especially of Joey, a wounded, shy, teenaged dream with whom she intends to lose her virginity. While negotiating a peace between Joey and his father Herb, Eve finds herself adored by the father as well, and as this erotic contest is in play, she’s determined to stop innocent Serena’s marriage. She needs dirt on Gordon, and she gets it’somewhat improbably—by working in a business associate’s strip-joint in exchange for information. The Colony is scandalized, and as the wedding ceremony begins, Eve confronts Gordon with her knowledge that he is, in fact, Jewish. She demands a no-fault release from the Colony; once free, she discovers Joey and Herb have left her behind for San Diego. Now fully on her own, she heads for New York City, “where the smart people live,” she ironically adds. In a story strung tight with sexual and spiritual tension, Eve is a pleasure to watch on the page: credibly innocent, crafty and resilient, she rewards the term “plucky” with engaging meaning.
Pub Date: Sept. 1, 1999
ISBN: 0-374-12644-5
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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