A quirkily entertaining exploration of what it means to be human and what it might be like to be a goat.
What would it be like to be a goat?
Thwaites (The Toaster Project, 2011) explains that his goal was to achieve a “profound shift in perspective” so that he might “look at a chair and [not] automatically associate it with sitting…[and ultimately be able to] look at a(nother) goat and think of it as another person like me.” A 30-something freelance designer still living with his father, the author was at loose ends, still basking in the success of his earlier project building a toaster from scratch. Rather than worrying about his future, he tells us, he decided to explore taking “a holiday from being human” by seeing if he could be accepted by a herd of goats. To achieve this, he designed a goatlike exoskeleton that included prosthetic limbs that prevented him from using his hands. The necessity of checking out his environment without using his hands was one of the more interesting aspects of his major change of perspective. He also committed himself to eating grass, albeit cooked in a pressure cooker over a campfire. Thwaites visited a goat sanctuary in the U.K., where he was able to closely observe their behavior. After practicing on his prosthetic limbs, he felt ready for the last leg of his journey. Walking with his prosthetic limbs was, of course, difficult, but the author notes that adopting a four-legged gait was not an insurmountable challenge. At last, he took the final step; hosted by a Swiss farmer, he joined his herd of goats. They seemed to accept his presence as they grazed on a steep alpine trail, although at one point, they became agitated when he inadvertently challenged their hierarchy. Dozens of photos document his journey from man to goat.
A quirkily entertaining exploration of what it means to be human and what it might be like to be a goat.Pub Date: May 17, 2016
ISBN: 978-1-61689-405-4
Page Count: 208
Publisher: Princeton Architectural Press
Review Posted Online: March 26, 2016
Kirkus Reviews Issue: April 15, 2016
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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