by Tia Williams ‧ RELEASE DATE: May 24, 2004
This is an author who knows a lot about New York—and actually finds a few fresh new ways to look at the overly studied...
Will suburbanite beauty editor and thug poet find romance in the big, fashionable city?
The first thing newcomer Williams—beauty editor at TeenPeople and late of YM, Elle and many another fizzy magazine—makes sure readers know is how easy her beauty editor protagonist Billie has things. Twenty-six-year-old Billie’s perfect buppie life is hardly interrupted by her average day at Du Jour magazine, where she gets swamped in designer product samples, gets invited to parties to launch them, and occasionally writes a few words about said products. Williams knows this world and has it down cold, but, atypically for a roman à clef, doesn’t seem intent on settling scores. The better parts here follow Billie through the downtown Manhattan scene with her strange, spoiled sorority and limn the frisson that’s created as she and her two best friends become successful, upwardly mobile black women in an otherwise lily-white world. Though Williams would have done better to stick to this world and watch Billie find her way through it, she unfortunately slaps a silly romance into the middle of everything. Thus Billie falls head-over in love with Jay, a gorgeous slam poet who came up the hard way in the projects and now has his own off-Broadway hit show—like a lethally talented combination of Savion Glover and DMX. The couple’s love is soured by the fact that Jay has an old girl on the side, a happening hairdresser who, coincidentally, is also the subject of Billie’s next big feature. By the time the soapy climax arrives, any glimmer of verisimilitude has long disappeared.
This is an author who knows a lot about New York—and actually finds a few fresh new ways to look at the overly studied city—but has little of interest to say when it comes to people and love.Pub Date: May 24, 2004
ISBN: 0-399-15201-6
Page Count: 264
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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