The spawn of Seinlanguage: shticky meditations by a stand-up comic who now stars in a top-rated television show. As Tim Taylor, Allen is the focal point of Home Improvement, but his manly-man persona plays off his wife, ``Tool Time'' cohorts, and other characters. Here we have Allen solo, closer to the stand-up mode, musing ``about many things I want to say about being a man.'' His short chapters mainly consist of riffs on his past, his humor safely in the middle American mainstream. Born Timothy Allen Dick, he learned to cope with his unusual moniker through humor and thus segues into observations genitalistic. Allen resents women saying men's cars are linked to their penises: ``What's an extension of the vagina—a purse?'' His life was transformed, he writes, by a Playboy centerfold, and he does have some wise thoughts on objectification: ``If we could have had sex with our cars and boats, it would have been a lot easier. But we'd be a smaller species.'' What should men ``look for in a gal? The answer is easy: breath.'' Allen balances such cheap laughs with some insights, suggesting that women, like men, seek glitz in a partner but eventually settle for ``the family station wagon.'' There's more: marriage, sports, and, of course, tools, leading to his innovative analysis of the impact of tool belts on butt cracks. He ends with some heartfelt sentiments on fatherhood. Allen only briefly touches on the traumas that have fueled his psyche: the death of his father in a car wreck when Tim was 11 and a prison sentence for selling drugs. (The lack of privacy in prison supplies the book's title.) More memoir and less shtick might have been a better balance here. For loyal fans, who should still be plentiful. (First printing of 500,000; first serial to TV Guide and Playboy)
Pub Date: Oct. 7, 1994
ISBN: 0-7868-6134-7
Page Count: 240
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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