An ambitious, enjoyable romp whose briskness makes its few stumbles forgivable.
Gamers must survive a glitch-y virtual-reality realm that’s rendering its players comatose in Allen’s (Apocalypse Orphan, 2016) sci-fi actioner.
In a world that’s been ravaged by nuclear bombs and the effects of the Cyber Wars, in which self-aware robots turned against humans, it seems that salvation lies in a game. A woman named Alice Mason proposes that countries settle disputes by warring in a virtual realm, which leads to the creation of the World Gaming Association with her as director. She’s stolen the technology from professor Raymond Brady, who’s in a maximum security prison after federal agents raided his home, grabbed his servers, and left his daughter to die in a fire that they started. But now Mason needs Brady to fix a glitch in the game, in which gaming soldiers, or “irus,” are inexplicably hemorrhaging in their bio-beds. The professor generates a new scenario and gathers six irus to play it, including currently undefeated American Andre Kingston. When the peaceful simulation inexplicably pits the players against zombies, Brady determines that the problem is outside interference. Then Kingston and the others lose their communication link with the WGA. As the scenario changes, the irus face aliens, an ancient Roman army, and energy-draining “cyberstalkers.” Although Mason can’t explain the glitches, it’s clear that she’s harboring a secret and doesn’t want anyone, players or programmers, digging too deeply. Allen’s steadily paced story offers numerous battles with conventional creatures but proudly acknowledges its inspirations. The zombies, for example, are sometimes called “the walking dead,” but only after Kingston references the popular TV series of the same name; the author also notes similarities and differences between the game’s aliens and the xenomorphs from the 1979 film Alien. Clipped sentences with essential details sustain the momentum: “She took two steps forward and stomped on his neck.…She then fenced with a trooper, using her war axe with good effect.” Even the final act, while predictable, doesn’t slow down until the very end. However, the tale is hampered by a few inconsistencies: “cyborg” and “android” are used synonymously, for instance, as are “Captain” and “Commander.”
An ambitious, enjoyable romp whose briskness makes its few stumbles forgivable.Pub Date: Oct. 30, 2016
ISBN: 978-1-988236-32-2
Page Count: 336
Publisher: Spectrum Ink
Review Posted Online: Nov. 2, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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