An ambitious, enjoyable romp whose briskness makes its few stumbles forgivable.
Gamers must survive a glitch-y virtual-reality realm that’s rendering its players comatose in Allen’s (Apocalypse Orphan, 2016) sci-fi actioner.
In a world that’s been ravaged by nuclear bombs and the effects of the Cyber Wars, in which self-aware robots turned against humans, it seems that salvation lies in a game. A woman named Alice Mason proposes that countries settle disputes by warring in a virtual realm, which leads to the creation of the World Gaming Association with her as director. She’s stolen the technology from professor Raymond Brady, who’s in a maximum security prison after federal agents raided his home, grabbed his servers, and left his daughter to die in a fire that they started. But now Mason needs Brady to fix a glitch in the game, in which gaming soldiers, or “irus,” are inexplicably hemorrhaging in their bio-beds. The professor generates a new scenario and gathers six irus to play it, including currently undefeated American Andre Kingston. When the peaceful simulation inexplicably pits the players against zombies, Brady determines that the problem is outside interference. Then Kingston and the others lose their communication link with the WGA. As the scenario changes, the irus face aliens, an ancient Roman army, and energy-draining “cyberstalkers.” Although Mason can’t explain the glitches, it’s clear that she’s harboring a secret and doesn’t want anyone, players or programmers, digging too deeply. Allen’s steadily paced story offers numerous battles with conventional creatures but proudly acknowledges its inspirations. The zombies, for example, are sometimes called “the walking dead,” but only after Kingston references the popular TV series of the same name; the author also notes similarities and differences between the game’s aliens and the xenomorphs from the 1979 film Alien. Clipped sentences with essential details sustain the momentum: “She took two steps forward and stomped on his neck.…She then fenced with a trooper, using her war axe with good effect.” Even the final act, while predictable, doesn’t slow down until the very end. However, the tale is hampered by a few inconsistencies: “cyborg” and “android” are used synonymously, for instance, as are “Captain” and “Commander.”
An ambitious, enjoyable romp whose briskness makes its few stumbles forgivable.Pub Date: Oct. 30, 2016
ISBN: 978-1-988236-32-2
Page Count: 336
Publisher: Spectrum Ink
Review Posted Online: Nov. 2, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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