An occasionally funny novel with an ultimately unlikable hero.
A rodeo rider rampages through the City of Lights.
Rowdy Talbot is a cowboy. He is, in fact, a bull-rider—just not a very good one. But he finally gets lucky at the Crockett County, Colo., rodeo, and he gets lucky again later that night. When he’s celebrating his triumphant ride at a local bar, he meets two Frenchwomen, both of whom go back to his motel room. The gals are gone when he gets up in the morning—and so is his championship belt buckle. This trophy is important to Rowdy not just because it’s a memento of his single rodeo win, but also because he wants to give it to his son. He wants the boy to have concrete proof that, no matter what Rowdy’s ex might say, Rowdy is not a loser. So, he sets out for Paris, where he has just a few days to find the belt buckle and make it back home for the next rodeo. Thus ensues a frequently entertaining, but ultimately unpleasant, fish-out-of-water farce. Sandlin (Jimi Hendrix Turns Eighty, 2007, etc.) knows how to keep his plot simple and his action brisk, and some of Rowdy’s observations are genuinely funny. Having extricated himself from the threesome that sets the plot in motion, Rowdy opines thusly: “It was interesting without being poignant, like watching reality television.” And there’s something truly masterful about an author who sends his cowboy hero chasing villains through the streets of Paris not on a horse, but on a Segway. However, as the novel progresses, Rowdy’s roughneck charm wears thin. He’s just a little too angry and a little too violent for romantic comedy. He hates pretty much everyone he meets, and he doesn’t just punch the bad guys. He essentially stalks the young woman who becomes his love interest—he breaks into her home and threatens her more than once. He’s also chronically late with his child-support payments, which ends up making his dedication to cowboy penury seem more like selfishness than integrity.
An occasionally funny novel with an ultimately unlikable hero.Pub Date: Jan. 24, 2008
ISBN: 978-1-59448-974-7
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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