Sandlin’s seventh novel (after Honey Don’t, not reviewed) has some lively flourishes, but the one-note humor quickly palls.
Ancient hippies, defying mortality, rise up against the administrators of their retirement community in this near-future black comedy.
Poor Guy Fontaine. Momentarily disoriented after his wife’s death, the spry 72-year-old drives his cart off a California golf course and onto an interstate. That one lapse allows his daughter Claudia to take control of his assets and bundle him into the Mission Pescadero, which provides, in the year 2022, both A.L. (Assisted Living) and N.C. (Nursing Care), meaning heavy sedation. Guy, a native Oklahoman and former sports editor, is an anomaly in this coastal California institution, most of whose residents are former hippies trapped in their memories of the Summer of Love (1967) or the 1969 confrontation at Berkeley; they still hunger for multiple sex partners (“monogamy is so . . . Eisenhower”). But Guy does find a kindred spirit in Roxanne, known as Rocky, who got a life as a waitress after the hippie scene faded. Sandlin gives these two a full measure of humanity (and his best writing), while treating the other residents as decrepit freaks (one has a face that “looks like a potato that’s been stored under the sink too long”). When administrator Alexandra Truman, a bitchy disciplinarian, confiscates one old geezer’s cat (house rule: no pets), Guy defends him, decking a staff member. The rebellion is underway, led by a canny crone with a walker who’s reliving her days as a ’60s militant. She outwits law enforcement (the hippie-hating Lieutenant Monk) tactically and strategically (“Our power is our age”), though she can’t prevent an anarchic resident spiking the community’s tea with acid. When Monk, armed to the teeth, goes berserk, the cat-owner heroically disables him, dying in the process. The female governor arrives and sides with the residents; as a tribute to their fallen comrade, they all drop their skirts or pants—the novel’s second mass-mooning.
Sandlin’s seventh novel (after Honey Don’t, not reviewed) has some lively flourishes, but the one-note humor quickly palls.Pub Date: Jan. 16, 2007
ISBN: 1-59448-933-5
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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