Too many contrivances of plot, and the earnest final section falls flat, but overall a brisk, acidly funny debut about the...

THE ALTERNATIVE HERO

In British drummer Thornton’s debut, a hapless ex-journalist reexamines what now seems his life’s fulcrum point: the onstage flameout that ended the career of Lance Webster, frontman of his beloved Thieving Magpies.

Music wasn’t merely the soundtrack to Clive Beresford’s youth; it was his youth. And when Clive’s idol, aka “Zeitgeist Man,” imploded in public in 1995, something important ended. Clive soon gave up his fanzine, Vorsprung Durch Peanut. He latched on with a higher-profile magazine, but that went sour after another episode involving his increasingly erratic idol. More than a decade has passed when Clive, now 33, underemployed, bereft and alone, notices Lance hauling home dry-cleaning; they’re neighbors. Clive embarks on an alcohol-soaked quest to befriend the Alternative Hero and to find out what led to that fateful day. After a stakeout tells him Lance has a sick cat, Clive volunteers at the vet, but succeeds only in selling his old hero a hormone spray for incontinent pets. Soon after, an intoxicated Clive pens a letter whose contents, come morning, he can’t recall—and gets an ominous visit from two roadies who warn him against stalkerdom. Finally, having lost his job, Clive repairs to a local pub to lick his wounds (or marinate them) and is chatted up from the next stool by Lance. Thornton shows off his encyclopedic musical knowledge to good effect, and the middle section, in which Clive carries on the charade of being an aspiring novelist who knows nothing about music, is delightfully awkward and entertaining, even poignant.

Too many contrivances of plot, and the earnest final section falls flat, but overall a brisk, acidly funny debut about the entanglement of identity and music.

Pub Date: July 24, 2009

ISBN: 978-0-307-27109-9

Page Count: 400

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2009

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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