A highly readable series installment that weaves real-world history into a deft, dynamic historical thriller.

In Shadowland

In this suspenseful mix of fact and fiction, a disillusioned agent for the Bureau of Investigation journeys to post–World War I France and Germany to search for the remains of Theodore Roosevelt’s war-hero son.

In his provocative, politically charged 2011 thriller, Devil’s Den, set in 1923, Ashby (Time Fall, 2013, etc.) introduced Seth Armitage, an agent assigned to find a killer targeting elderly veterans of the Civil War. By the end of that skillful merging of fiction and American history, a bitter Armitage resigned and joined his father’s Virginia law practice. Now, two years later, he’s been called to Washington, D.C., by new Bureau director J. Edgar Hoover to rejoin the fold and solve a case involving Armitage’s distant relatives the Roosevelts. In real life, the remains of Theodore Roosevelt’s WWI–pilot son, Quentin, were buried with honors in France and exhumed after T.R.’s death for transport to the United States. Ashby, a former senior U.S. Commerce Department official and counterterrorism consultant to the U.S. State Department, uses that exhumation as a springboard for a juicy work featuring conspiracy and corruption in high places. The body in Quentin’s grave, it turns out, is someone else’s, and Armitage’s job is to find out what happened to the young war hero. Haunted by his own memories of the battlefield, Armitage travels to France and then to Germany, shadowed by a sadistic killer who’s been hired to keep the truth from coming out. Another complication: a beautiful agent for the French intelligence service with her own lethal agenda. Ashby supplies impressively researched settings as he describes his complex hero, Hoover’s dark, power-grabbing machinations, the killer’s secret mission of horrific revenge, and the terrible realities of the trenches. He also touches on the rise of Adolf Hitler as a key element of the story. The result is a riveting work of political intrigue, layered with resonances of the past and present.

A highly readable series installment that weaves real-world history into a deft, dynamic historical thriller.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Author Planet Press

Review Posted Online: Nov. 19, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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