Both the imperatives of multiculturalism and a proliferation of genuine literary talent have stimulated a contemporary...
Twenty previously unpublished stories, chosen by debut guest editor Wolff from entries submitted by various collegiate writing programs, community workshops, prison writing projects, and miscellaneous competitions, located in the US and Canada.
All the tales are more than formally and stylistically competent, few betray any unduly heavy influences, and several would stand out in any fictional company. The immigrant experience is explored with wry compassion in Shimon Tanaka’s unusual story (“Video Ame”) of Asian-American siblings adrift between their cultural origins and their strident new country; Kate Small’s bleak portrayal of a decimated Kosovar family relocated in Oregon (“The B-Zone Open”); and novelist William Gay’s “The Paperhanger, . . .” (its full Updikean title is much longer), in which a Pakistani woman’s resentful experience of America is imagined with nightmarish intensity. More general contemporary concerns dominate David Benioff’s [see XXXX] lusty tale of a rock-music agent unwisely involved with some certifiably weird new talent (“When the Nines Roll Over”); Merrill Feitell’s savvy scrutiny of a 30-ish urbanite whose imminent path to the altar is sidetracked by a forthright teenaged girl (“Bike New York!”), and especially Ladette Randolph’s subtle study of the complex “glimpse of transcendence” experienced by a coed who “sits” for her eccentric mentor’s even more eccentric house-pets (“The Girls”). Even better are Ana Menendez’s deeply sympathetic picturing of culture-shocked Latin American refugees in Miami (“In Cuba I Was a German Shepherd”), Adam Johnson’s dry revelation of passive young slackers thrust incongruously into thrill-seeking and “wild life” (“Cliff Gods of Acapulco”), and, most notably, “The Hatbox,” by Jennifer Vanderbes: a moving novella that gradually unfolds the interrelated ramifications of a secret that originates in East Africa and thereafter possesses, and poisons, the lives of three generations of women.
Both the imperatives of multiculturalism and a proliferation of genuine literary talent have stimulated a contemporary plethora of story anthologies. This lively volume is one of the best of them.Pub Date: Nov. 2, 2000
ISBN: 0-15-601322-3
Page Count: 448
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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