A truly instructive debut characterized by heart, wit and restraint.
A debut crime thriller in which a forensic scientist is found murdered in England’s enormous Brookwood Cemetery.
Pandora Kingdom is a talented homicide detective in Surrey, England. She’s also a double amputee, having lost an arm and leg to a bomb in Afghanistan. Over 20 years solving murders, however, has made her a tough, go-to detective, so she’s assigned to the case of Susan Thompson. The victim, a forensic scientist with an interest in body decomposition, was found in Brookwood Cemetery. She was shot in the head and her hands were nailed to a gravestone. At the crime scene, Pandora teams with MI5 agent Steve Bridger, who informs her that Susan researched, among other things, how chemical weapons affect pig corpses (since it’s illegal to use human bodies). Eventually, the investigators learn that Susan was fairly promiscuous—with both men and women—and enjoyed living beyond her means. Large money transfers in and out of Susan’s bank account and a storage unit (filled with strange, telling contents) point toward why someone might have killed her. But as fresh bodies begin piling up, the case assumes greater urgency. Did Susan die for the selling of government secrets, angering a lover or both? Debut author Cole begins this new crime series in a striking locale and imbues the narrative with generous historical and police procedural knowledge. The immediately likable Pandora thrives in a male-dominated field without being completely humorless, like when she asks, “Are you checking out my wooden leg Mr. Bridger?” There’s also a touch of whimsy in scenes when she speaks with the ghost of a soldier named Daniel Sutton. And while the trope of a promiscuous victim is familiar, Cole handles it with subtlety. The narrative’s main flaw is that the punctuation occasionally slips (“What is with, the red tape?”). These moments don’t detract from a smartly paced tale, however, thick with chilly ambiance and some thoroughly shocking deaths. The second volume will be eagerly awaited.
A truly instructive debut characterized by heart, wit and restraint.Pub Date: July 23, 2014
ISBN: 978-1500535407
Page Count: 226
Publisher: CreateSpace
Review Posted Online: Aug. 29, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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