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LEGACY OF THE LIGHT

A well-wrought tale of family, duty, honor and redemption.

Awards & Accolades

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In an attempt to redeem his family’s honor, a man returns to keep the lighthouse where his father had failed to do his duty.

Keepers of the lonely lighthouse on Race Rock, off the shore of New London, Conn., had to learn to deal with intense isolation. The wife of Nathaniel Bowen, a keeper in the early 1900s, could not, so she left Nathaniel, taking their young son, Caleb, with her. Nathaniel was devastated, but continued to do his duty, until one night, consumed by grief over his absent family, he drank too much whiskey and failed to light the light, resulting in a shipwreck and dozens of deaths. The guilt was too much for Nathaniel, driving him to suicide. Several decades later, Caleb returns, seeking his father. Upon learning of the circumstances surrounding Nathaniel’s death, Caleb vows to become a keeper on Race Rock to make up for his father’s lapse in duty. After several years on the job, a stranger named Eliot, who claims to be a journalist, arrives at the lighthouse, ostensibly to research an article. Caleb’s fiancée Jennifer catches Eliot snooping around the lighthouse, so he reveals a dark family secret. With the storm of the century closing in, Caleb and Jennifer must decide how best to deal with an increasingly erratic Eliot, and whether they should believe his outrageous claims. While Gipstein’s prose is crisp and direct and his characters well-formed, there are some pacing issues, most notably in the form of a protracted coda after the climactic night of the storm. Still, the final resolution is satisfying, if a little long in coming. Gipstein has clearly done his research, and the period details of life in an early-20th-century lighthouse are fascinating, adding considerable depth to the narrative without getting in its way.

A well-wrought tale of family, duty, honor and redemption.

Pub Date: May 6, 2011

ISBN: 978-1457503573

Page Count: 322

Publisher: Dog Ear

Review Posted Online: Nov. 7, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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